To start things off, I want to say this: Douglas Adams is my hero, both literary and otherwise. His work has influenced so much of what I enjoy in the world of entertainment, and the newest Dirk Gently series, The Salmon of Doubt, particularly marked my interest, especially since The Salmon of Doubt was slated to be the title of an upcoming Dirk Gently project. That it coincides with the BBC America series, as well, is a welcome addition, since the first season of the show was particularly well done.

Star Trek: Boldly Go #9 and its story have a direct correlation with the cover page. The regular cover artwork has a calming effect with a serene image of Uhura at the forefront. As she looks out into the distance, Spock and other Vulcans stand behind her, as if patiently waiting, expecting something to happen. The nuances of this scene provide a wonderful sense of anticipation for what you’re about to experience as you flip through the pages. George Caltsoudas is the artist for this main cover page, as there are three additional variant covers, and he knows how to translate the story within onto the cover page. Another perfect example of his abilities can be seen in Issue #3, where feelings of anxiety bubble to the surface as the Borg land on an alien planet with dramatic force.

If you love movies, comic books, and lists, then get ready for the Top 100 Comic Book Movies from IDW Publishing and Fantastic Press. Writer Gary Gerani presents his view on the wonderful world of comic books by listing his rankings “for the cinema’s most significant live-action comic book adaptations.”

The Turtles may have bargained for most of their friends this month between the Earth Protection Force, but the Mutanimals have always had their own dramatic pasts and storylines, which we seem to be seeing more of in TMNT Universe.

Holy hell! After mentioning to some people how much I love Cullen Bunn as a writer, they told me I should check out The Sixth Gun. It just happened to be perfect timing with the release of this trade paperback, so here I am, writing a review of this absolutely fun comic book.

The latest installment of Kim Newman and Paul McCaffrey’s Anno Dracula 1895: Seven Days in Mayhem brings a lot of action and excitement to the Tower of London. McCaffrey’s cover is a stunning juxtaposition of refined beauty and a creepy x-ray—which is very fitting for the atmosphere of this series. The variant covers are great, too. Martin Stiff’s is simple but eerie, as a skull appears to emerge out of the Tower. Tom Mandrake’s cover nicely captures the action of this issue and creates a heroic scene with the heroines ready to battle a horde of crazed vampires.

Martin Scorcese says film is dead. It’s a strong statement meant to provoke discussion, and it’s difficult to argue against someone like Scorcese, a historian of cinema itself. He sees the breadth of everything that has been, is now, and what lies ahead. I want to say to Scorcese that comic books are keeping film alive. Creators like Matt Kindt are keeping the art of visual storytelling not only alive but moving forward. At first Kindt’s artistic style may seem scrappy or unfinished. That’s how I first felt when I picked up Issue #1 of Mind MGMT, but the word of mouth was so good for the series that it was hard for me to pass up. Now, I see him for who he really is. With every panel, Kindt tells a story, and he creates a mood and tone. In Issue #15 of Dept.H, he shows us what it would be like to have a photographic memory, melding time and space to pull us into our hero’s world. In fact, this issue takes us even more into Mia’s world than any issue has.

Black Hammer has veered into Stanley Kubrick’s The Shining territory. If you’ve ever wondered what it would feel like watching superheroes suffer from extreme bouts of cabin fever, start reading from the top, because the psychological warfare is beginning to amp up.

The five issue series The Witcher: Curse of Crows has been collected into a trade paperback, marking the third volume of Geralt of Rivia stories from Dark Horse and continuing the publisher’s collaboration with CD Projekt RED with stories that tie-in with the hugely popular video games. For fans who have not been sated by The Witcher 3: Wild Hunt, the comic book series further explores Geralt’s fantastical world: a world originally created by Polish writer Andrzej Sapkowski through a series of novels in the mid-1990s that became available to Western readers with English translations beginning with The Last Wish in 2007.

Cullen Bunn is at it again, this time with Brian Hurtt (illustrator) and Bill Crabtree (colorist). Together, they take us back to the days when mobsters owned high-stakes gambling clubs and wore tailored suits, the days of tommy guns and demon keys. Yes, that’s right - demon keys. You see, this universe is populated by demons who have taken rank in the mobster world. This isn’t Sicilian blood that runs through family veins, but demon blood.

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