In the latest episode of The PREVIEWS Party Podcast, we discussed a new series from BOOM! Studios called Capture Creatures that follows two teens who discover a curious, little creature and set off on an adventure to learn more about it and its kind. We were so excited about this new series that we decided to go straight to the source to learn more. Listen as we discuss the origins of this project, their favorite Capture Creatures, and the joy of forests with creators Frank Gibson and Becky Dreistadt.
“In this job, there is no unfinished business.”
-- Constable Odo
I have a bit of a passion for noir. While both of my fans will probably give a theatrical eyeroll and a muttered, “No duh,” it’s pertinent to this week’s episode. Of my eight books, five and a half are noir, and a good deal of my recreational reading is consumed by mugs and dames, bullets and betrayals. My personal take has always been the layering of another genre on top of the noir, whether it’s science fiction with Nerve Zero, zombie survival horror with Undead on Arrival, or comic conspiracy thrillers with Mr. Blank. I can trace the flashpoint of this obsession to a single moment. To settle me down before a flight, my mother bought me the classic Isaac Asimov novel The Caves of Steel in an airport bookstore. Now, leaving aside that I was the kind of child who could be mollified by a book written in the ‘50s, this was the first time I had seen two genres -- mystery and science fiction -- melded into one and became a building block in my understanding of genre. This week’s episode, “Necessary Evil,” owes a debt to The Caves of Steel and is almost as much of an influence on my present aesthetic. As a self-conscious celebration of noir fiction, it explored the dark days of the station, when it was still the Cardassian ore refinery Terok Nor, and the partial origin story of a certain faceless detective.
The following is an interview with Jack Ward, co-host (with David Ault) of The Sonic Society, which is a weekly showcase of modern audio dramas. The Sonic Society will be celebrating its tenth anniversary this month, and the staff of Fanboy Comics wanted to highlight the years of Ward's hard work and dedication to promoting the creative efforts of audio drama enthusiasts across the globe! In this interview, Fanboy Comics Managing Editor Barbra Dillon chats with Ward about what he feels is most appealing in the audio drama medium, his inspiration for creating The Sonic Society, his plans for celebrating 10 amazing years of the show, and what listeners can expect next from the organization!
A funny thing recently happened in the pop culture world in a rare moment of synergy (OMG! I dropped a Jem reference already, and we just got started!), when the world of comic books and Hip-Hop controversy collided. Marvel Comics released its arguably super sexed-up variant cover image for the forthcoming Spider-Woman series by renowned erotica artist Milo Minara at precisely the same moment Nicki Minaj dropped her new single, "Anaconda." The song is an ode to big butts and I cannot lie . . . and borrows heavily from the 1992 Sir Mixalot hit, "Baby Got Back," another tribute to titanic tushes. The artwork features Nicki in what could very well be reminiscent of a typical Spider-Woman pose with her barely covered, albeit surgically enhanced derrière front, center, and in your face.
“Let’s just say, if you want to do business in the Gamma Quadrant, you have to do business with the Dominion.”
When working on a long-form project, writers are engaged in a sub rosa battle with their fans. Much like the Spanish Inquisition, that battle’s chief tactic and goal is surprise. The writer has to properly lay the foundation for crucial plot twists in advance, so that they feel organic, but not foreshadow them so heavily that the audience figures it out beforehand. Meanwhile, the audience desperately wants to be able to lean back with a smug smile, take a victory sip of their macchiato, and mutter into the face of a stunning turn, “Called it.” Who can blame them? It’s fun being the smartest person in the room, even if the price tag is having all your friends hate you. Writers hate these superior bastards more than you do, and there’s nothing we like more than the gobsmacked expression of a truly shocked fan. You think George R.R. Martin writes stuff like the Red Wedding for his health? To preserve surprises, writers will often resort to underhanded tactics. Stories have a language that we all understand from our years of listening, reading, and watching. This language informs a specific unwritten contract between writer and audience, and there are writers who love to violate this contract with intent of surprising people. In this week’s DS9, Ira Steven Behr did just that when he hid the first mention of the Dominion inside an otherwise innocuous Ferengi episode.
The following is an interview with violinist/violist and composer Sarah Wallin Huff, who recently released her debut album, Soul of the Machine, and is currently collaborating on several other projects, including her debut novel, The Kesher Chronicles: Book One. In this interview, Fanboy Comics Managing Editor Barbra Dillon chats with Huff regarding her pursuits in musical training, her creative process when composing, the various projects being released this year, and more!
In the latest episode of The PREVIEWS Party Podcast, we discussed a new IDW series that will explore the world of Edward Scissorhands by Kate Leth and Drew Rausch. We were so excited about this new series that we decided to go straight to the source to learn more. Listen as we discuss the inspirations, characters, and incredible art with Kate and Drew.
The following is an interview with Leah Wilson, Jennifer Canzoneri, and Heather Butterfield, the amazing staff members of Smart Pop Books, the pop culture imprint of independent publisher BenBella Books. For years, the Fanboy Comics staff has reviewed the various books published by Smart Pop, ranging from The Girl Who Was on Fire and Ender's World to Beyond the Wall and Fic: Why Fanfiction Is Taking Over the World, and we have adored each and every title more and more. In this interview, Fanboy Comics Managing Editor Barbra Dillon chats with Wilson, Canzoneri, and Butterfield about the impetus for forming Smart Pop Books, how their involvement with the publishing company has changed throughout the years, which publications speak to the "fan" in them the most, and what readers can expect next!
“You can tell a man’s intentions by the way he walks.”
-- Constable Odo
I chose to use that particular quote, featured in this episode’s b-plot, over ones from the a-plot, because I wanted to illustrate the way the former can underline the latter. Odo makes this comment about Fallit Kot, a former business partner of Quark’s, who has come to the station to murder our favorite Ferengi bartender in retaliation for letting him spend eight years in a Romulan prison. Personally, I think Kot should be thrilled, as I figured Romulan prisons were the roach motels of the Alpha Quadrant. Quark comes to Odo for help, and Odo makes that comment about Kot’s motive. It’s a pretty standard thing for a world-weary noir protagonist like Odo to say about one of the mooks he spends his life putting behind bars. Well, behind invisible force fields anyway. It’s more ironic in light of the entire episode, as the a-plot is all about a Starfleet officer who can barely walk at all.
It’s that time of year again. The Doctor is returning to his regularly scheduled, unpredictable shenanigans. Who knows what trysts he’s larked on and hearts he’s seduced in the interim (although history would suggest it may involve some intimate endeavors with a royal family member).