My Little Pony: Friendship is Magic came to an end after nine exciting seasons. It was a show of unique caliber, appealing to its core demographic but wielding enough complexity to attract fans of many different ages and backgrounds. Take me, for instance. I’m a mid-twenties man who didn’t know the first thing about My Little Pony, but when asked to watch the show with my significant other, I discovered a sophisticated, clever show that had a lot to say. I just finished the series about a week before writing this review, and that's what inspired me to return to the My Little Pony comic series in the form of today’s review: My Little Pony: Legends of Magic Omnibus, Volume 1.
Growing up, my mother would go through different “kicks,” as she would put it. For one six-month period, it was all Jane Austen movies and books, and then Norse mythology. The longest "kick" - and the one I found the most interesting - was her Arthurian period, where she became obsessed with all things related to King Arthur lore. During this time, she read books like Mists of Avalon and watched many on-screen versions of the stories with me by her side. Once I was old enough, she let me read T.H. White’s Once and Future King which I inhaled. Let me just say that the new title from BOOM! Studios, Once & Future, is definitely not a retelling of the classic story, but a modern twist on the classic lore that is King Aurthur.
An unsteady alliance forms between the captive Husdoni soldiers and their former Yanqui slaves, but time is running out before the Devas' planned desolation. Protector #3 brings us closer to the characters and tests their loyalties to each other, as their journey into the wastelands begins.
Comic books. With their intense visuals and heavy focus on plot and characters, the medium can be much more engaging than other literary means of storytelling. We live in new and interesting times, and although the past has always seemed to have had it worse, fear can lay waste to an individual's psyche when the stream of consciousness is battered with Dread. That’s why comic books will be our savior. And Dread our new law. No, not that Dread. Dredd.
Previously on Angel + Spike: Angel is on the case… some creepy dude with no eyes and a thing for biting people. The irony is rather rich. LAPD Officer Kate Lockley is also investigating which inevitably brings them together.
Quick recap: While the McGuires (and Rose) successfully staved off Arthur’s attempt at bringing xenophobia back in style, they did not come out of the experience unscathed. Having learned of his family’s history and accepting the nature of his calling, Duncan is a bit more jaded now, and his relationship with Bridgette is strained. Meanwhile, Elaine is out there, doing stuff after meeting Merlin.
A confluence of characters occurs in the final issue of the first story arc of Matt Kindt and Matt Smith’s Folklords, and while some questions are answered, many more arise, giving way to a grander story and a greater good that needs to be accomplished. I’m excited!
Well, it’s the end of the world as we know it. Time to binge watch HBO, and just in time to do so is season three of Westworld: The Blade Runner Years.
With the Destiny Man hot on their heels, the international group of heroes tasked with infiltrating the walled-off United States has done what they came here to do: getting a mysterious key into the hands of an even more mysterious leader. Our group is a bit splintered, as many of the most talented minds in the world are doing everything they can to escape the throngs of the Destiny Man's followers. Daniel and Lottie are working on their own to meet up with a potential ally who may provide deeper access into the secretive, dark world of the United States of America. With this strange, new world surprising them at every turn and the deadly Sky Virus terrorizing the globe, things only seem to be getting more complicated.
Something Is Killing the Children is so good. James Tynion IV and Werther Dell’edera are masterfully world building and character building all at the same time. Their dialogue-driven scenes are just as visually intense and psychologically involving as their action scenes. This is a masterclass is storytelling.