Synopsis: Bart Bartson is getting settled in his (hopefully!) temporary foster home. And by getting settled, I mean he’s enduring the bullying by Madame Stockholm and her obnoxious nephew, Roddy. Fortunately, it doesn’t seem like he’s alone, whether in real life or in his imagination.
Daisy #5 concludes the dark and nightmarish tale about the offspring of the Nephilim and the teenage girl that was destined to change things. Think Buffy the Vampire Slayer with its anti-patriarchal stance and throw in a bit more Dante-esque sensibilities and you get a decent idea of the tone of this series. Colin Lorimer saved his most epic work on Daisy for his finale, and if there were any stops before, consider them all pulled out. After the raised stakes of the previous issues, this one tops it both visually as well as thematically. With Daisy now in a position to make a drastic change, Bezaliel makes his final play, calling upon higher powers to unite with his cause.
This new story arc is being released in honor of the 40th anniversary of The Rocketeer. Wait—40 years? That can’t be right! Didn’t it come out in 1991?
The story explored in this issue of Jim Henson’s The Storyteller is a bit different from the previous one—as well as from the original series. The tale is set in a relatively modern setting, seemingly around the 20th century. Does that make it any less of a folktale, or any less worthy to be included in this collection? Not at all. It’s just as magical, just as timeless, and just as engaging as The Storyteller’s usual fare. It also may or may not have made me cry.
In the quick pace of streaming serialized television shows, there’s not always an opportunity to tell an origin story. Star Trek Discovery is a program that moves at lightening pace, focusing more on action then character development. When a character is spotlighted, it’s usually for something very specific. This is why a series like Star Trek Discovery: Adventures in the 32nd Century is so great.
The 25th Anniversary Special is a collection of five stories set in the Buffy multiverse. Packed in with the epilogue of BOOM!’s concluded reboot are four much shorter stories that feature the Scoobies, as well as a surprising familiar face that’ll make many fans very happy.
If Summer as a sexy lady™ threw me off a little on the cover of issue 7, I had no doubt that issue 8 would go back to examining some of Ruby’s trials as part of Johnny Carlyle’s new superhero team for hire. His former right-hand man, Digger, doesn’t love the change of allegiance, and he’s got to prove his cojones to his less-than-upright pals. Meanwhile, Ruby and Tyler bond with hangover breakfast and learn a little more about their new headquarters…
At Last the Light is a gothic horror comic set in 19th century Edinburgh. If you’re me, that’s pretty much all you’ll need to be sold on this comic. Most of you are not me, however, so I’ll have to elaborate a bit more.
It’s difficult to review any animated Batman series without comparing it to Batman: The Animated Series. The early '90s series has now become, essentially, the gold standard for animated Batman fare. The creators of The Batman, which ran a little over a decade later, from 2004 to 2008, were well aware of this. So, they made it their goal to set their series apart from TAS as much as possible.