As I dive into my pile of Kickstarter comics once again, I was particularly interested in checking out this one, as Gwynn Tavares is the artist. (Full disclosure: Gwynn is the artist for my own graphic novels, and I adore her work. So yes, I’m biased.) Dead End Moon, a supernatural western, follows the story of Maggie Dean, a bounty hunter who hunts paranormal creatures and doesn’t much care who gets in her way - even going as far as using a wanted criminal as bait; however, Maggie suffers from a spectral infection which allows her to see ghosts and other supernatural beings, but the affliction is slowly killing her. Nevertheless, that doesn’t stop her from searching for the illusive Seventh City of Gold, where the one called The Dead Man is holed up. Why she wants to find him remains a mystery in this issue.
Previously on Buffy the Vampire Slayer: Giles and Anya were casualties of Silas’ Lurkers. Buffy and the rest of the Scoobies were putting Operation Slayerverse into gear, while Faith learned a dark secret about her past… memories stolen from her by the Watchers’ Council experimentation.
The creators behind the Nightmare Theater comic anthology recently launched a Kickstarter campaign for their second installment, and they have been very generous to provide the Fanbase Press team with a preview of the haunting horror comics contained!
I decided to catch up on my Kickstarter reading this week. I had supported and read the first issue of Duplicant a while ago and really enjoyed it, but I hadn’t had the chance to get to the other four. Lucky for me, Karla Nappi’s current Kickstarter for issue #5 reminded me to go read it. But let’s start with issue #2.
Art is a complicated thing, especially when it comes to creating the next great masterpiece; however, that’s what Ace Kenyatta has been tasked with doing in the zone of Possibility, an infinite ocean of the influence of American culture and great works - lost to time. In order to continue their way into the next zone and to further their walk on the spiral of this shielded America, the team is counting on Ace to use his knowledge of Americana and the history of this new version of it to continue the legacy of American influence of the world through artistic works. As Ace works his creativity to get them along the path, another option is brought into play from someone who will either be an unlikely ally or a difficult enemy.
Rufus Marigold is an extremely nervous guy. The ring of a telephone causes him to freeze in terror. Encountering a friend on the street is a crippling minefield of small talk. Giving a presentation at work is an impossible task that must be avoided by any means possible. Everyday life for Rufus is a harrowing obstacle course of anxiety, self-doubt, and avoidance. If any of this sounds familiar, you, like the author of Rufus Marigold, Ross Murray, likely have some experience with anxiety. And in the wake of the COVID pandemic, Rufus Marigold is more relatable than ever.
This strange, but colorful, neo-noir adventure is reminiscent of L.A. Confidential. A columnist for a local gossip rag acts as our guide through a sordid and unfamiliar world, reporting on all the gory details of who’s getting arrested and who’s getting killed by whom—and how. Our story’s beginning even has the same catalyst as L.A. Confidential: the sudden arrest of the city’s major crime boss and the subsequent power vacuum it leaves in the criminal underworld.
Dark Horse Comics’ Last Flight Out #3 continues the tale of planetwide apocalypse and humanity’s flight from Earth. This well-written and fantastically drawn story adds new depth to the established characters while introducing new ones.
Back in the mid-1990s, TV show Star Trek: Deep Space Nine visited the “evil” Mirror Universe on several occasions. Since then, the Universe has shown up in the prequel TV shows, Enterprise and Discovery. We never saw a Next Generation version on screen. In 2017, IDW created a comic book limited series focused on who these characters would be.
Everybody has seen numerous retellings of Spider-Man’s origin from Amazing Fantasy #15 - from comics, to cartoons, to movies. Interestingly enough, the story from Amazing Spider-Man #1 in 1963, in which Spidey meets the Fantastic Four, has been told many times, as well. Stan Lee and Jack Kirby retold the story in the first Fantasic Four annual. Tom Defalco did a version of it as did John Byrne and later Dan Slott. The interesting thing about this story is that, unlike the origin, it can be told from a different perspective without taking away what is inherent to what came before. This is the basis for Marvel Action Classics #4.