Synopsis: Bart Bartson is probably in the last place he wants to be: a foster home run by an oppressive tyrant and terrorized by the resident bully. But a fateful encounter with a toy T-rex may just change his life and outlook on life.

Do you love cats? Detective stories?  Space operas? Then, Pet Noir has all that and more.  This all-ages comic based on the novel by Pati Nagle follows the adventures of the genetically engineered feline Leon.

If nothing else, I know that I’m never going to go wrong with a release from BOOM! Studios, but I’m still consistently caught off guard by the quality of their showings. Their most recent is Eve, an obvious reference to the Biblical story. Taking place not terribly far in the future, we are introduced to a girl and her father who have a job to do - a mission one might say - that Eve is just about to learn about. When a twist occurs in the story, we realize that maybe Eve isn’t where we thought she was (or never has been) and the circumstances are far worse. An android that looks like an old, mangled teddy bear named Wexler becomes her introduction to this new reality, and the adventure truly begins.

Wynd is on the run. With him is his best friend who is basically a sister, a prince who is fleeing his father (the King), and the prince’s gardener turned bodyguard. The first issue found them outrunning the Bandaged Man, a person who could smell magic, and since Wynd is magical, he stayed hot on their trail.

Nocterra has been a high-energy story right from the start, and that doesn’t change at all in Scott Snyder and Tony S. Daniel’s newest issue of their creator-owned work. We begin issue #3 right where we left off, with Val and company on the run from Black Bill.

The ambitious, new Chinatown noir from writer Pornsak Pichetshote and artist Alexandre Tefenkgi takes a measured first step, but leaves a lasting impression. The Good Asian #1 is more than just a gripping mystery and meticulously researched historical fiction, it's a thoughtful examination of identity and timely reflection of modern anxieties in the Asian-American community.

One of the most difficult things about growing up is living up to the examples of our heroes. Parents, mentors, and others can unwittingly create barriers for the generations that follow. This was the premise of the Flash comic book in the 1990s in which Wally West tried desperately to live up to Barry Allen’s ideals. This is also the premise of Dark Horse’s new series, Jenny Zero.

I love Japanese folklore and horror. I also love the wise dogs of Beasts of Burden - dogs that use witchcraft to protect the world. Normally, they’re protecting their neighborhood, but we’re getting a flashback to World War II during which a dog (Emrys) and his master have arrived in occupied Japan, where decapitations have been occurring.

I will never know true, unfettered fear. Not like some people. I’m not wearing that as a badge of honor, it’s simply a reality of the world we live in. I have more fear for other people than I do myself, and yet, I’m afraid. Like so many of the rest of the world, we are taught to fear: fear the other side, fear circumstances yet unseen, fear the unknowable. Especially in the last four years, as a culture we’ve lived in a cacophony of fear, because we see just how vulnerable we truly are: vulnerable to the whims of a terrible leader, vulnerable to a wide-ranging disease, vulnerable to the people who are supposed to protect us.

There’s an absolutely masterful sequence in the third issue of Dead Dog’s Bite in which shadows are used so effectively that you feel a real sense of dread and danger simply from their existence, long before that danger is confirmed, and even then, it’s kept abstract, like a nightmare.

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