Ever since she was seventeen years old, Dale Highland has been on the run: from her unexplained murderous blackouts she calls Rages; from an aunt who clearly despises her; from a world that she just doesn’t quite manage to fit; however, a chance encounter with a stranger pushes the young woman to face some bizarre truths about who, or maybe what, she really is. Thrust into a cat-and-mouse chase from a powerful, otherworldly organization, Dale needs to choose what she finds most vital to being herself and ultimately whether having supernatural blood prevents her from being truly human.
The Maids of Wrath is the sequel to last year’s Enter the Janitor—a quirky fantasy/adventure about a secret group of people tasked with literally cleaning up the evil in the world. In Maids, we get to explore further the world of The Cleaners and its inner workings, as trouble stems from inside the organization itself.
Ernie EJ Altbacker has worked on several television shows that include Static Shock, Ben 10, Green Lantern: The Animated Series, and Spider-Man, among others, and he has written six Shark Wars novels targeting middle schoolers. He has now written a teen/young adult book titled Handy Andy Saves the World. Evoking the innocence and charm of the 1950s sci-fi B-movie, Altbacker's story of a down-on-his-luck handyman who unwittingly helps fix an alien spaceship is an enchanting tale.
Come for the rules, stay for the learnins. And, PUT DOWN THAT DUCK!
I haven’t been playing Munchkin all that long, only a few years, but I’m hopelessly hooked on it. Even my wife, who wouldn’t go near half of the geeky tabletop or video games that I love, jumps in with an enthusiasm that excites and sometimes terrifies me (which is also exciting but for much different reasons). This is a game that I feel that can grab anyone by the +1 Codpiece of Impressive Title and introduce them to a world that is far bigger and far stranger than any they’ve known. As much as I love the game, and as much as I get all of the gaming references that it riffs off of, I never knew the truth behind the origins of the game or just how much of an impact it has had on the gaming community as a whole. Part of the success of the game can be attributed to the fact that the game is so mutable. There are several variations on the core idea of it, and there are now even licensed versions on the game that, much like LEGO, bring fans of the licenses into the fold and introduce people to concepts that they may have otherwise never have engaged in. Oh, and it’s fun. It’s really, stupidly fun. The cards are all parodies of something in the realm of gaming or a license and often full of the most choice puns that make the game a fun battle ground of groans, laughs, and, of course, screwing everyone else over to achieve victory.
As anyone who gets behind the wheel of car can tell you, Los Angeles is going to hell in a hand basket. In Justin Robinson's The Dark Price of Ahriman, this is literally true. Of course, in Robinson's world, hell is the Dark Planet of Ahriman, and the hand basket is a group of brave, but ill-fated, humans who have chosen to try to interact with and control it.
This simple, children’s picture book wasn’t at all what I was expecting. Taking place in San Dimas, CA, in the 1920s, we follow the adventures of Betty and the various animals in her life.
Last year marked the 125th anniversary commemorating the birth of horror writer Howard Phillips Lovecraft, and, as a result, renewed interest in his writing has inspired a higher number of anthologies collecting short stories inspired by H.P. Lovecraft. Scott Gable and C. Dombrowski, who co-edited By Faerie Light and Ghost in the Cogs, have once again collaborated on a Broken Eye Books title, Tomorrow's Cthulhu: Stories at the Dawn of Posthumanity. In this edition, the editors collected together 29 stories inspired directly by Lovecraft's Cthulhu and Dream Cycle (Dreamlands) mythos while incorporating scientific tones and interests. All channeled the inexplicable call of the characters to the hidden and unknown.
Gabriel and Wendy’s lives felt extraordinarily blessed when they were able to reverse the effects of hypno-touch and cure their myriad of life-threatening cancers. On top of this blessing, Wendy somehow became pregnant during the worst of her illness, and the promise of a child together should bring them closer together than before; however, Wendy’s healing came at a painful cost: complete loss of her special abilities including the emodar that has been part of her being as long as she can remember. As she struggles to learn how to interact with her husband and family without the crutch of reading their emotions, Wendy spirals into anger and depression that gets fueled further by bad news about her infant son; however, there are people who still value her abilities over her health and safety, and they will stop at nothing to get her help. Could the unexpected trials help Wendy rebuild herself as a stronger woman who will stop at nothing to protect those she loves?
Jonathan Maberry is back as editor and co-author of V-Wars: Night Terrors (IDW), the third installment of vampire and werewolf stories that began with V-Wars: A Chronicle of the Vampire Wars in 2013. In the original volume, Maberry commenced with the premise that a dormant bacteria was unleashed with global ramifications. And, as with the first and second volumes, Maberry is joined again by leading authors of horror and science fiction, creating an ongoing and ever-expanding tapestry of stories about the Beats (humans) and Bloods (vampires).
The resources available to creators in the indie comic scene have, at times, been extremely scarce, but the impact of the internet, social media, and the increasingly inclusive and generous mood among industry professionals has de-mystified much of the comic industry’s in and outs over the last decade or so. That said, indie comic creators should never be the types to turn down additional assistance navigating the often “treacherous” waters of the various legal issues and situations surrounding their creations and businesses. The Law for Comic Book Creators, written by Joe Sergi and published by McFarland, offers the type of comic book legal knowledge that is both informative and easily digestible, earning it a well-deserved place on this comic creator’s bookshelf.