Geiger is the new superhero limited series by Geoff Johns and Gary Frank about a post-apocalyptic world ravaged by nuclear war. After atomic weapons have destroyed the world, different factions fight for survival, taking care to live safely from the radioactive wasteland, daring to venture out with hazmat suits; however, there’s one man whom everyone fears, as he can withstand the atomic radiation.
Nocterra is the new creator-owned series by a little-known indie writer by the name of Scott Snyder. We’re introduced to a world of everlasting darkness that slowly turns living beings into dangerous creatures, and the only way to survive is by staying close to artificial light. Like any post-apocalyptic series, humanity is forced to live in communities known as outposts, just barely safe from the monsters lurking.
One of the most important things a good story can do is hold a mirror to the world and reflect on it. Killswitch, by Jeffrey and Susan Bridges, provide that reflection in one of the most exciting and action-packed sci-fi stories of the year, and one that centers on a question: Do the ends justify the means?
The end is here for the Augurs. Whether that means they escape or die trying is up to them, but - either way - they aren’t going back. Killswitch creators Jefferey and Susan Bridges culminate this intense and politically inspired tale in a climax that ends on a bittersweet note.
The hit mini-series, Going to the Chapel, from Spencer & Locke creator David Pepose comes together in a wonderful package of humor and brevity. We’re introduced to Elizabeth, full of nerves and cold feet on her wedding day. Just as she is about to walk down (or run away) from the aisle, the wedding is crashed by the infamous bank robbers, the Bad Elvis gang. But, as the saying goes, “The best laid schemes of mice and men often go awry,” and it’s up to Elizabeth to save her family, her wedding, the heist, and the robbers whom she has a sordid history with.
Where the first issue of Family Tree from Jeff Lemier and Phil Hester planted an intriguing and otherworldly story and sprouted branches of interesting story ideas, the third issue has taken root to give us a few answers. Of course, not everything can be revealed right away, as we’re left with seemingly more questions than answers (in a good way), and, as the saying goes, we witness the classic case of no good deed going unpunished.
Craig Johnson’s Project: Saviour continues in issue #4, where we’re left with our hero mindlessly pounding a man’s face and inching closer to that line all heroes should never cross. That line may be easy to cross, but is that the person he wants to be? Is trying to do the right thing as easy (or as hard) as it seems?
“And they lived happily ever after” isn’t necessarily a cliché, but a common theme in stories. It can be a satisfying conclusion if executed well, but it can also come across as something rushed.
Killswitch continues its thematic journey of depicting the oppressed looking to escape to a better life.
Family Tree #1 starts as a story of a single mother (Loretta) and her children (one troubled teenage son and an eight-year-old daughter who seems to be more mature and understanding than those her age), but it becomes a horror story of sorts when Loretta’s daughter starts to grow into a tree. It all comes to a head when Loretta’s grandfather comes blasting back into her life (literally).