You might think I live under a rock, and, sometimes, I think I do, but I came into this graphic novel cold. I’d heard the name before, and though I’m not a big fan of horror, I like to expand my horizons. I’m happy to say I was glad I chose this story.
Can you say action? Cool settings? Magic that has nothing to do with European elves, wizards, and witches?
The journey home has brought Edward grief and much worse. His father - the king - is a vampire. As a young man, the king was determined to wipe out all the witches from his kingdom, but one survived long enough to offer the king everything he wished for: a throne and the power that goes with it.
While Edward learns how to control his ability to shift from human to unicorn and back again, a raven delivers a most unexpected message: His father - the king - is alive. And not only that, the king wants him to come home.
In a future that might be our own, an unknown race a million light years away signals for help while sending along the plans for something called forge gate technology. This technology will allow us to travel light years away from Earth (through a series of jumps) in the hope that we will eventually arrive at this unknown destination (a.k.a. The Terminus). (Think Stargate.)
After Galen left his village in search of whatever took the songbirds' ability to sing away, the hawks - in their fear and need for power - decided to round up the songbirds and place them in internment camps, allegedly for their own protection.
After finding the Seventh City of Gold, Maggie Dean and her spectral sidekick, Jack Calloway, head straight to the local saloon to look for a prostitute that The Dead Man may have been keeping company with.
Interrupting a human press conference, WOL-421313’s trainers announce he has undergone illegal upgrades.
In the previous issue, WOL-421313, frustrated at the loss of his job and status, decided to invoke the robot right to settle a dispute “metal to metal,” but, this time, it will be "metal to human."