Edison Rex has existed for a little over a year now as one of the titles from the digital comics publishing company Monkeybrain Comics, which was founded in the summer of 2012 by comic book writer and novelist Chris Roberson and his wife Allison Baker. Roberson is also the writer of Edison Rex, and Allison Baker, a creative professional in her own right, is the editor. The fun, often lighthearted, often action-packed art is by Dennis Culver, with colors by Stephen Downer, lettering by John J. Hill, and this whole team is seamless. There is a consistent vision throughout the first six issues in this first-ever print collection being released by IDW, and the book is chock full of extras, including The Secret Files of Edison Rex, bios about the various characters that appear in the book, written by Edison himself, a start-to-finish breakdown of the first page, pin-ups, a great introduction by Kurt Busiek and afterword by Chris Roberson, as well as a few other extras that I will leave for you to discover.
Welcome to Wild Blue Yonder, a high-flying, post-apocalyptic adventure series created by the team of writer Mike Raicht, artist Zach Howard, and Austin Harrison under their Noble Transmissions banner, and released by IDW. Originally developed as a Kickstarter project in order to raise funds to pay artist Zach Howard, so he could take the time off from paid work to focus on drawing the creator-owned, five-issue miniseries, the project met its goal, and beyond, and the comic was picked up by IDW as an ongoing title.
Domovoi is a new graphic novel from Dark Horse, the company that gives us Hellboy and B.P.R.D., and while it could easily fit in the world of those titles, Domovoi tells its own unique, supernatural, familial tale. Written and illustrated by Peter Bergting, this is a story where the supernatural is literally supernatural. All of the characters populating this Eastern European world (No specific location is given, but the names of the characters, monsters, and otherworldly beings are largely Eastern European and based on that region’s folklore.) are more than familiar with the supernatural, and with magic as well.
Scott Snyder, DC’s white-hot writer of dark-and-brooding Batman and gothic-horror Swamp Thing, delivers a techno-horror tale of mystery and the unknown under the sea with The Wake. With art by Sean Murphy, of Punk Rock Jesus and Joe the Barbarian acclaim, and with colors by seasoned Vertigo collaborator Matt Hollingsworth, this new title sings.
Though their last movie was Ghostbusters 2 in 1989, the Ghostbusters have become a permanent staple in popular culture, and we all know and love the paranormal antics of Peter Venkman, Egon Spengler, Ray Stantz, Winston Zeddemore, and their long-suffering secretary Janine Melnitz. Over the years, there have been Ghostbusters cartoons and video games, and I am sure some fan fiction, too. Now, IDW has revitalized The Ghostbusters through the realm of comics, and, in a way, they’ve done it twice. The New Ghostbusters is a new, ongoing title that picks up where IDW’s initial sixteen issue Ghostbusters series left off, and this collection of the first four issues is loads of spooky fun.
The High Ways is a new, interstellar miniseries from IDW created, written, and drawn by comics legend John Byrne. Possibly most well-known for his work on The Uncanny X-Men with Chris Claremont and his run on Fantastic Four, Byrne has worked on more titles over the years than can be listed here, as artist and as writer. He has also created many original properties in his near five decades working in comics, including John Byrne’s Next Men. Now, he has added The High Ways to his ever-burgeoning list of credits. Taking place at the meeting of the 21st and 22nd centuries, this is a story of scientific intrigue, interplanetary travel, and space trucking. Eddie Wallace is on his first trip out of earth’s orbit into deep space aboard the Carol Ann, an old, reliable space freighter captained by Jack Cagney and his partner Marilyn Jones. Marilyn has a thing for nicknames and so Eddie is known as “Sprout” for most of the series, which works as a nice reversal once some elements of Eddie’s past are revealed later in the story.
From the twisted and horribly creative minds of Eric Powell and Kyle Hotz comes the third installment in the secret history of Billy the Kid. Written by Powell, the creator, writer, and artist of the horror comedy hit The Goon, and Hotz, who also provides the artwork, Billy the Kid’s Old Timey Oddities and the Orm of Loch Ness is quite possibly one of the most interesting miniseries that you have sadly never heard of. Published by Dark Horse, Orm of Loch Ness is a four-issue miniseries, just like the original Billy the Kid’s Old Timey Oddities and its sequel, The Ghastly Fiend of London. The over-arching premise of this title is an entertaining one: Billy the Kid, that cunning and reckless western outlaw, was not murdered by lawman Pat Garrett, but instead faked his death and joined up with a traveling show of “Biological Curiosities,” known commonly as freaks, as their foul-mouthed protector. If that doesn’t sell you, then the Victorian-era characters Billy and his band encounter will: in the first miniseries, it is Dr. Victor Frankenstein, in the second, Jack the Ripper and Joseph Merrick, also known as The Elephant Man, and in this third outing it is Dracula.
King Conan: The Hour of the Dragon is an adaptation of Robert E. Howard’s only Conan novel into two six-issue miniseries, brought to the comic page by writer Timothy Truman, artists Tomás Giorello and José Villarrubia, and with lettering by Richard Starkings and Comicraft. Issues one and two of The Hour of the Dragon are the first Conan comics I have ever really sat down and read, and what is fantastic about this title is that from the script to the art, to even the lettering, you feel as if you have unearthed a treasure that was created during the true age of pulp comics, and that gives a great sense of authenticity to the telling of this tale. Another interesting piece of history is that the novel was released first in 1935 as a five-part serial in the pulp magazine Weird Tales, until being published in its original format in 1950. That being said, Dark Horse publishing The Hour of the Dragon as a comic book miniseries is in line with how readers would have first experienced the tale, albeit now with gorgeous illustrations, each page within this issue so striking that any one of them could be used as the cover.
The Chronicles of Conan is an ongoing collection published by Dark Horse of the original Conan the Barbarian comics produced by Marvel Comics from 1970-1993 and which ran for 275 issues, and the Conan the Barbarian Annual, which ran for 12 issues from 1973-1987. Volume 24: Blood Dawn and Other Stories collects the Conan the Barbarian Annual #11 and Conan the Barbarian #182-189. This collection is made up largely of one story arc, though it does dip back into events that took place in the previous collection, Well of Souls and Other Stories, but since these comics were originally published in this same order, writer James Owsley fills us in on what happened in those earlier issues to remind us if we had forgotten and to inform us if we simply had not read those issues. It was actually interesting to see a straight adventure comic like Conan have stories with long-reaching consequences and as I was sucked deeper into the world of Conan, it became apparent these comics were more of an ongoing, unfolding journey than mere standalone adventures cobbled together.
Masks & Mobsters, another great title from digital publisher Monkeybrain Comics, is a crime anthology written by Joshua Williamson, with art by Mike Henderson, with guest artists Jason Copland, Justin Greenwood, Ryan Cody, and Seth Damoose popping up throughout. Masks & Mobsters takes place during the 1920s, its stories relating what happens when superheroes (masks, as the mobsters disdainfully refer to them) first start showing up in Golden City, putting the squeeze on the local crime syndicates, and how the criminal underworld retaliates. The art is all in glorious black and white, which perfectly captures the rough edges of the crime world, while also bringing a simple elegance to the time period. There are shadows galore, and Henderson and the other artists use them effectively, an element of danger and mystery hanging over each issue. This first print collection is being published in a classy hardcover by the Image Comics imprint Shadowline, and includes the first ten issues, which are two more than are currently being offered digitally. Also, each issue has a page of rough artwork showing character or cover sketches, which helps give an idea of how this world is continually growing and developing not only through Joshua Williamson’s stories, but also through the artwork.