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The following is an interview with Leslee Scallon, co-founder (with Michael Trent) of the Los Angeles-based Dances With Films festival, which is celebrating its 17th year and taking place from May 29th through June 8, 2014. In this interview, Fanboy Comics Managing Editor Barbra Dillon chats with Scallon about the mission behind the film festival, this year's motto, the new addition to the festival's Advisory Board, and how both aspiring filmmakers and cinefiles can learn more about this year's event.

This interview was conducted on May 8, 2014.

Hellboy is dead. No big deal; we all gotta die sometime, but most of us won’t get the grand tour of Hell when we do. This comic finally answers the tough questions. What happens to a demon-prince of Hell who renounced his infernal purpose after being raised by the American Army during WWII when he dies? The answer, happily, is exactly what you want from a Hellboy comic.

If you bought tickets to see the Stones, wouldn’t you be upset if Jagger didn’t sing “Satisfaction?”  That’s the logically very sound question a restaurateur played by Dustin Hoffman asks his head chef the night that an extremely influential food blogger is going to review their Brentwood restaurant.  The head chef, Carl Casper, is played by writer/director Jon Favreau, and the movie is called, aptly enough, Chef.  It’s a simple title, but the movie is pretty terrific.

When Fanboy Comics is not providing you with the latest in geek news and entertainment, the FBC staff hopes to offer our readers a myriad of opportunities to give back to the community. We love reading comics, watching movies, and playing video games, but we are never happier than when we are able to help others in need. With Geeks Care: How You Can Help, FBC will provide you a variety of causes that would greatly appreciate your time.


In this week's edition of Geeks Care: How You Can Help, we would like to turn our attention to Sina Grace, the co-creator (along with Daniel Freedman) and artist of Image Comics' new comic book series, Burn the Orphanage: Reign of Terror. Grace has teamed up with The Lustgarten Foundation to donate all 20 pages of art from the series’ first issue to support pancreatic cancer research. The series of auctions, titled Compassion vs. Cancer, will go entirely to The Lustgarten Foundation’s efforts in raising awareness for the under-funded and highly-deadly cancer.  Fanboy Comics, having lost a dear friend to pancreatic cancer, wants to join Sina Grace in educating its readers about this important organization and how you can help.

The following is an interview with Eisner Award-nominated Deron Bennett (letterer of Tale of Sand, Cyborg 009, Thrilling Adventure Hour, Masters of the Universe), writer of the creator-owned comic book series Quixote. In this interview, Fanboy Comics Senior Contributor Jason Enright chats with Bennett about his sci-fi and fantasy take on the age-old Don Quiote tale, the process of working with artist Dan Mora and letterer Paul Little, and the future of the comic book series.

This interview was conducted on May 8, 2014.

“I kept telling myself if I could just hold out until May, just May 8th, I would turn twelve and be able to sign up for the tessarae and get that precious oil and grain to feed us.”   -Katniss Everdeen, The Hunger Games (pg. 27-28)


Dear Fanboy Comics Readers:

May 8th is the day that Panem welcomed everybody’s favorite Girl on Fire into the world. Today is the day we celebrate the birthday of Katniss Everdeen of District 12 (and The Hunger Games). The staff at FBC couldn’t be happier than to wish her an enjoyable and, hopefully, non-violent day, free of tessarae concerns and full of a chorus of mockingjays singing that classic b-day tune and, one imagines, a delicious cake courtesy of the Mellark Bakery. (It pays to know someone on the inside . . . especially when it involves frosting!)

The following is an interview with Eryk Donovan, a contributing artist to IDW Publishing's new In the Dark Horror Anthology. In this interview, Fanboy Comics Guest Contributor Morgan Perry chats with Donovan about how he became involved in the anthology, the creative process of working with so many talented creators, and the influences of his own artistic style.

This interview was conducted on May 7, 2014.

If there was one comic I was looking forward to this month, it was ’68 Rule of War #2: A Man of Wealth and Taste. The second issue in this four-part series from Image Comics picks up right where #1 left off and continues in the positive direction of the fantastically frightening storyline with incredible art that steals the show.

When I heard that RoboChuck #2 had come out, I jumped at the opportunity to read it . . . and I was not let down. Chris Callahan packs in all the crafted artwork, zany, yet lovable, characters, and non-stop laughs of the first issue - and then some. RoboChuck is showing promise to be a series that will continue to maintain its quality and dare I say . . . like a fine wine, maybe even get better with each issue as you meet and fall in love with all of the characters.

“No favorite of mine!”
     -- Avery Brooks on this episode


The most bracing thing about the Trek universe is how different the basic pitches for each show are.  TOS is about one tiny ship exploring a huge and terrifying galaxy.  TNG is about the flagship of a mighty utopia, juggling exploration and diplomacy with aplomb.  DS9 was a highly serialized space opera, dealing with the dark side of utopia.  Voyager was a lost vessel, a survival adventure against the backdrop of unexplored space.  Yet, for the first season, every Star Trek show thinks it’s the one before it.  Voyager featured a mutiny, some imported villains from DS9, and the kind of skullduggery that a lost ship really can’t afford.  TNG had cheeseball sets, unconvincing bad guys, and scripts that seemed to date from the ‘60s.  It’s not just that the first season thinks it’s the show previous, it’s that it thinks it’s only the bad parts of that show.  This brings me to “Move Along Home,” this week’s episode of DS9, which really feels like a bad TNG episode.

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