“Between the Panels” is a bi-weekly interview series focusing on comic book creators of all experience levels, seeking to examine not just what each individual creates, but how they go about creating it.
Nocterra has been a high-energy story right from the start, and that doesn’t change at all in Scott Snyder and Tony S. Daniel’s newest issue of their creator-owned work. We begin issue #3 right where we left off, with Val and company on the run from Black Bill.
Fanbase Press Contributor Phillip Kelly plays and reviews a handful of brand new independent video games, all costing no more than $25. Why? There are a lot of indie games out there, and if he can help you, curious reader, to parse through the selection with even a little more knowledge, then, by god, he’ll die content.
The ambitious, new Chinatown noir from writer Pornsak Pichetshote and artist Alexandre Tefenkgi takes a measured first step, but leaves a lasting impression. The Good Asian #1 is more than just a gripping mystery and meticulously researched historical fiction, it's a thoughtful examination of identity and timely reflection of modern anxieties in the Asian-American community.
One of the most difficult things about growing up is living up to the examples of our heroes. Parents, mentors, and others can unwittingly create barriers for the generations that follow. This was the premise of the Flash comic book in the 1990s in which Wally West tried desperately to live up to Barry Allen’s ideals. This is also the premise of Dark Horse’s new series, Jenny Zero.
I love Japanese folklore and horror. I also love the wise dogs of Beasts of Burden - dogs that use witchcraft to protect the world. Normally, they’re protecting their neighborhood, but we’re getting a flashback to World War II during which a dog (Emrys) and his master have arrived in occupied Japan, where decapitations have been occurring.
I will never know true, unfettered fear. Not like some people. I’m not wearing that as a badge of honor, it’s simply a reality of the world we live in. I have more fear for other people than I do myself, and yet, I’m afraid. Like so many of the rest of the world, we are taught to fear: fear the other side, fear circumstances yet unseen, fear the unknowable. Especially in the last four years, as a culture we’ve lived in a cacophony of fear, because we see just how vulnerable we truly are: vulnerable to the whims of a terrible leader, vulnerable to a wide-ranging disease, vulnerable to the people who are supposed to protect us.
There’s an absolutely masterful sequence in the third issue of Dead Dog’s Bite in which shadows are used so effectively that you feel a real sense of dread and danger simply from their existence, long before that danger is confirmed, and even then, it’s kept abstract, like a nightmare.
In The Fanbase Weekly, the Fanbase Press staff and a host of special guests from across the pop culture spectrum discuss the top geek stories of the week.