I’ve looked forward to every issue of This Damned Band with each passing month almost more so than any other comic, because it’s radically different
I’m currently in the midst of gobbling up Paul Tobin’s other currently running series, Colder: Toss the Bones, like melted chili and cheese on a
I have high hopes for Eric Heisserer as a writer. A few years back while working as a Production Assistant, I had the pleasure of
Like Hellraiser, Colder: Toss the Bones is a perpetual nightmare state, both beautiful and frightening in its content and imagery. It’s like the Catcher in
If BOOM! Studios releases a science fiction comic, chances are I’ll take my time to read it.
With Arcadia #7 you start to see all of the parallel stories in Alex Paknadel and Eric Scott Pfeiffer’s twisty, internet-as-utopia, epic converge. All of
It’s nice seeing Grant Morrison simply being silly. To me, there is something inherently silly about Santa Claus to begin with, so for Morrison to
James Tynion IV and Eryk Donovan end the world for a second time in Cognetic as they did in Memetic. Similar themes permeate both stories,
After reading Harrow County #7 last month and then with the release of the first TPB detailing the first major arc of Emmy’s journey (which
Tommy Patterson (Stingers, Farscape) continues to bring Sam Humphries’ (Legendary Star-Lord, Avengers) tale of egoism and demonism in politics to gleeful, visual life.
