I was at prime Power Rangers age back in 1993, when the original Mighty Morphin Power Rangers started airing. That franchise has come a long way since then, through more than a dozen iterations of concepts and casts, but with a film reboot on the horizon, nostalgia for that first team of technicolor heroes is at an all-time high. The show – a weird kitbash of Japanese tokusatsu and the most saccharine American teenage drama – probably hasn’t aged all that well, considering its low production values and its supreme campiness. And if you’re like me – and since you’re on this site, I’d gamble that we’re not so different, you and I – shows like this, that so informed a chunk of our childhoods, hold this odd place in our minds. We know that it can’t be as good as we recall, but the memory of it is powerful enough to make us wonder if we shouldn’t pull up some episodes on Netflix – but, of course, doing so would risk forever destroying the paragon of Saturday morning entertainment that we knew and loved.
I would love to live in Robert J. Peterson’s imagination for a day. His novel, The Odds, is an imaginative post-apocalyptic chess game to the death blended with The Hunger Games in a universe filled with mutants, monsters, and cell phones more deadly than any bomb. In other words, entirely awesome. My second venture into a Peterson world, Omegaball, is no less imaginative, out there, and highly entertaining but in a completely different way.
At the Burbank International Film Festival 2016, Fanbase Press Editor-in-Chief Barbra Dillon talks with actress Jenette Goldstein (Aliens, Terminator 2: Judgment Day) about her work on Aliens, the effect of characters like Vasquez and Ripley on the film genre, and more.
At the Burbank International Film Festival 2016, Fanbase Press Editor-in-Chief Barbra Dillon talks with producer and filmmaker Charles de Lauzirika (Alien Anthology, Blade Runner: The Final Cut) about his work on the exhaustively detailed Alien Anthology Blu-ray behind-the-scenes documentary, his love of the franchise, and more.
While the Engineer will continue on in Issue #1 of Aliens: Life and Death, the enigmatic creature was in the background for most of its own title. In Dan Abnett’s otherwise capable hands (His work so far with the Aliens, who I’m a huge fan of, and Predators, who I’m not a particular fan of, has been enjoyable.), a creature that deals with the manipulation of the beginnings of life became nothing more than Frankenstein’s Monster. The only motivation for this supposedly highly intelligent creature is simply to make it more difficult for our Colonial Marines to escape the planet. A slow-moving, grunting plot device. It gives me little hope for exploring what it is and what it wants in the forthcoming Alien title.
Tyler Crook’s artwork is lush and teeming with life, making the world of Harrow County one of the most fully realized landscapes in fiction today. His images are raw and breathtaking. They are both beautiful and haunting. They enliven the imagination by not only showing you what’s on the page, but making you wonder what’s beyond the panels. Without Crook’s artwork, I don’t believe Harrow County would be half as good as it is.
Joelle Jones takes time to mix in some flavorful ingredients into Issue#2 of Lady Killer 2, and it already begins to pay off. The best thing about good storytelling isn’t always in the payoff, but the feeling during the journey that things could go very wrong. That foreboding tickle at the back of your cranium that raises the blood pressure ever so slightly. The excitement and fear of the danger that is about to come. This second issue reminded me in many ways of an episode of Breaking Bad in its cadence and tone, finding a perfect balance between intelligence and enjoyment. It’s everything that this book has the potential to be.
For five issues now, Sarah Winchester has been fighting the literal and figurative demons caused by the violent deaths of the moneymaking and life-ending machine that is the Winchester Rifle. I’ve turned every page with wide-eyed fascination. This part-Western, part-horror story told by Peter J. Tomasi, Ian Bertram, Dave Stewart, and company is fueled by the anger and sadness at the state of the world we live in. This takes on a vivid clarity as the bitter irony of Sarah’s final, hopeful words are spoken. This hope prompts the feeling that we are still living out this tragedy today.
The realities of Hollywood are a strange thing. It can chew you up and eat you alive. For Farrah Durante, this is becoming more and more obvious as the middle-aged actress does everything she can to land her next big role. This is further complicated by a terrifying force that has attached itself to her and doesn't have much of an affinity for the culture Farrah has surrounded herself with.
I love reviewing new comic books . . . first books of new series that are teetering on the brink of either breaking big or breaking bad. There is something special about feeling “in the know” when something is too awesome to keep to yourself.