John Arcudi has been around since the '90s, writing everything from Aquaman to Hellboy to Aliens. I’ve seen his name on comics that I’ve read, but I don’t think (of what I’ve read) anything has quite hit me like Dead Inside. This feeling took me by surprise. Dead Inside is a murder mystery set within the confines of a prison system. The first issue set things in motion; it didn’t quite grab me, but it was interesting enough to continue on. After four issues, I’m hooked.
From issue to issue, Matt Kindt’s books are a thrill to read, and Ether is no exception. We’ve been following the story of a scientist, Boone, who travels into another dimension, a fantastical one called the Ether, to solve crimes and disprove the magic of the world. As it turns out, this fantastical world is pretty dark at its core, and Boone, like an addict it seems, has slowly lost his life to it. In the Ether, he is a hero. He is Sherlock Holmes and Indiana Jones rolled up into one. In the real world, he lives on the street and has pushed everyone he cares about away from him. Even the way to get into the Ether could only ever be discovered by someone willing to basically kill themselves.
In the first issue of American Gods, P. Craig Russell and Scott Hampton effectively bring to life the darkness and mystery of Neil Gaiman’s brilliant novel. The variant covers, drawn by several different artists, illuminate terrors of mythology and provide a glimpse of the intensity this thrilling story promises to provide. The covers are enticing and spellbinding and serve as perfect entry points to a visualized adaptation of Gaiman’s masterpiece.
Today marks the 20th anniversary of the premiere (March 10, 1997) of Joss Whedon’s television series, Buffy the Vampire Slayer, which brought to the small screen Buffy Summers played by Sarah Michelle Gellar. Resourceful, perky, and The Chosen One, each week viewers became familiar with Buffy and her Scooby Gang, which included Willow (Alyson Hannigan), Xander (Nicholas Brendon), her Watcher Giles (Anthony Stewart Head), and eventually even Cordelia (Charisma Carpenter). These were all characters introduced in the first episode; however, it was always about Buffy, who provided the audience with a flawed, yet strong, female character to care about each week.
Here at Fanbase Press, we strive to provide an outlet for up-and-coming creators to promote and showcase their incredible works. With thousands of creators utilizing crowdfunding platforms like Kickstarter and Indiegogo to make those works a reality, we will highlight these talented creators and their noteworthy campaigns through #CrowfundingFridays! We hope that you will join us in giving these projects a moment of your time (and possibly your support)!
If you’re uncertain about what comic book to buy next, especially because one issue might not give you all that you’re looking for as it builds upon an origin story or what to expect from particular characters, then bypass any number ones and pick up Giant Days: Volume Four. This BOOM! Box trade paperback collects issues 13 through 16, as writer John Allison dives further into the wonderfully entertaining lives of college freshman roommates Daisy, Esther, and Susan. Not only does a fourth volume suggest the success of Giant Days as a proven commodity, the stories told within these pages by Allison are brilliantly funny by providing the reader with three characters who are constantly building upon their friendship, watching them grow before you as they navigate their daily lives. Or perhaps you’ll just enjoy the regular banter they have with each other, and toward the rest of the world, as they search for a new place to live, attempt to find a job, enter a film festival, and look for romance in all of the places. (Whether any of them are right or wrong, you’ll get to see first-hand.) If you need any more proof, it’s literally printed right on the cover – “Will Eisner Nominee for ‘2016 Best Writer’ and ‘2016 Best Continuing Series.’”
Today, March 10th, 2017, marks the 20th anniversary of the official premiere of Joss Whedon’s enduring and iconic TV series, Buffy the Vampire Slayer. Underestimated and misunderstood by many from the beginning, Whedon’s humble series featured on the fledgling WB network quickly earned a loyal viewership and critical praise with its charismatic cast, clever and witty dialogue, and uber-relatable premise of high school as Hell. Twenty years later, Buffy’s popularity remains strong through its presence on Netflix, its canon comic book continuation currently being published by Dark Horse Comics, and the various impacts the series has had on pop culture, including contributing to the increase of female-led action pieces in current genre entertainment like The Hunger Games, Jessica Jones, Rogue One: A Star Wars Story, and many more.
Joss Whedon knows how to shock and awe. He is a master of the dramatic, the epic, and the apocalyptic. An average Whedon episode of television is filled with star-crossed love, heartbreaking loss, selfless heroism, sudden betrayal, bring-you-to-tears humor, looming suspense, and a healthy dose of kick-ass ass kicking.
When Fanbase Press is not providing you with the latest in geek news and entertainment, the Fanbase Press staff hopes to offer our readers a myriad of opportunities to give back to the community. We love reading comics, watching movies, and playing video games, but we are never happier than when we are able to help others in need. With Geeks Care: How You Can Help, Fanbase Press will provide you a variety of causes that would greatly appreciate your time.
For the latest edition of Geeks Care: How You Can Help, the Fanbase Press staff not only brings you a new opportunity to get involved and give back to an organization that is helping women all across the country, but we also provide an opportunity to attend a wonderful theatrical performance, fine art exhibit, and film screening. On March 10th and 11th, 2017, from 7 p.m. to midnight, the collective We the Women will present John Patrick Shanley's production of Women of Manhattan, followed by an art exhibit and film screening at the Palace Theatre in Los Angeles, CA, the proceeds of which will go to Planned Parenthood.
I was still living overseas when Buffy the Vampire Slayer premiered on televisions across America in the spring of 1997. I missed the initial interest at the time of its broadcast, and the series has only recently come to my attention because of its accessibility on Netflix and my being colleagues with the #1 Buffy fan. (I’m looking at you, Bryant!) As the resident Buffy the Vampire Slayer newbie who has just finished watching the first season, I admit I wish I would have actively sought this show out much sooner. It’s not like I’m not familiar with Joss Whedon – I have watched Firefly (LOVED IT!) and Angel (the first two seasons, so now the pieces are starting to coming together) – and his innate skill at creating engaging characters that audiences quickly grow to care about, so I am glad that I’m coming to the franchise at this point – better late than never! As a result, I found there are several aspects of this midseason replacement show (It replaced a cancelled show, Savannah.) to appreciate and enjoy. In Season 1, the characters, themes, and social commentary were all factors that resonated with me as I watched the first twelve episodes (out of 144) and became familiar with the show.