Old grudges and new revelations push washed-up artist Hal Crane over the edge in the heated conclusion to the two-part Bad Weekend storyline. In Criminal #3, noir masters Ed Brubaker and Sean Phillips complete their journey through the dark underbelly of the comic book creators community.

Polar: The Kaiser Falls is a flat-out masterpiece of a graphic novel.  It is gritty, compelling, unapologetically beautiful visual storytelling and features the best of everything this medium has to offer.

It’s been a while since an entirely new series had me this intrigued and hyped. Invisible Kingdom #1 gave me whiffs of Firefly, Dune, Avatar, and Saga, and yet presented a story that was unique in both its tone and visual style. The first issue does an amazing job of setting the scene, presenting some of the themes that the series seems set to tackle (consumerism, class/race dynamics, and self-determinism vs. destiny), and introducing us to a rather diverse cast of characters with possibly conflicting or converging interests and agendas.

Every action has a purpose, and every victory a price.

Remember when you were the loser in high school for not playing D&D? All the most popular and sexually active teens were doing it? Rollin' d20s like it ain't no thang. They like to hit that with multiple crit. Naw, I'm sayin' my DMs? Remember?

Rick and Morty is a strange franchise, known for being outlandish, kind of gross, and just a bizarre mix of science, humor, and some truly outrageous visuals. The comics for the franchise have been no different, keeping the same sense of personality and ridiculousness that the show is known for, without the tricky animation budgets and writing delays.

Over the past three issues, we’ve seen Adamant, the indestructible superhero, in a number of different adventures and predicaments, both past and future, as he battles his nemesis, Dr. Alpha. Now, in issue #4, we finally get to see the origin story: how Adamant came to be and how his destiny and Dr. Alpha’s became inextricably intertwined.

Someone is trying to kill one of the most famous assassins in the world. So, what does he do? He tries to hire all of the other greatest assassins in the world to protect himself. That’s it. That’s the concept of this story. It’s a high-concept shoot-em-up. You can expect a lot of ego to be thrown around from characters that have elevated eccentricities, and a lot . . . a LOT of bullets to be fired. If you saw Brie Larson in Free Fire, Joe Carnahan’s Smokin’ Aces, or Shoot’em Up with Clive Owen, or… you get it. There’s an entire subgenre of film that’s poked its head over the horizon in the last decade or so.

This was great. I sat down this evening to write reviews feeling uninspired, disinterested, and tired. As I scrolled through the first issue of Little Bird, as each page passed, as every panel erupted from the page, I slowly began to wake up and, by the end, a fire had lit in me.

After the heat death of the universe, the last of humanity has gathered on the Orpheus station, awaiting the next big bang. For two years, they stare helplessly into the void, and then all of a sudden, something stares back. Infinite Dark: Vol. 1 collects the first four issues of writer Ryan Cady and artist Andrea Mutti's thoughtful science fiction horror.

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