Dead of Winter continues to prove itself as one of those comics you need to buy as soon as possible. Not only is it original, but it takes the concept of a survival tale and sends it in an interesting direction. Kyle Starks (writer) and Gabriel Bautista (artist) make very deliberate decisions with the story that continue to pay off in spades. The writing and artistry in this story are so good that they end up leading to fun, new events in every issue.

Bold, vibrant colors flow over the pages of this collected trade paperback like a Miami night club. Right away, I was struck by the use of fluorescent colors - hot pink and bright yellow - as well as the creative storyboarding. The images are a blend of pop art and old newspaper clippings, intertwining textures and colors throughout the piece.

And 3, 2, 1, Let's jam...bbbrrrrreeeeeeccchhpt...zzzzzzzz

The smaller the town, the bigger the secret.

Well, it looks like I’ve done it again.  I’ve let my life get the best of me, and I missed the opportunity to review an issue for IDW Publishing’s ongoing comic book series for the Teenage Mutant Ninja Turtles.  

It looks as though Image Comics' Skybound imprint is having a little bit of fun, as several creators are coming together for the aptly titled Evolution, a brand new series by the publisher. In what looks to be a promising horror title, the opening issue of the series focuses on three stories, all about certain members of the public that seem to be going through millions of years of evolution, all at the same time. Huge changes in physiology and mental welfare, as well as the panic about public perception look to be a huge focus of this title, and this first issue does a great job of presenting a very interesting theme and world paired with what can be unsettling visuals.

As we follow Shadow on his journey through America, the lines between fantasy and reality continue to blur. A brilliant piece of modern-day mythology, American Gods takes the world that we know and lets gods, creatures, and magical beings in. Dreams become indistinct from reality, the dead don’t stay dead, and we never really know who or what to trust. Shadow is not really concerned but just rolls along with all of the weirdness and chaos happening around him. Sometimes, I don’t know whether to laugh or cry, but I think that’s part of the Gaiman fun that P. Craig Russell and Scott Hampton have captured so well.

When the term Post-Traumatic Stress Disorder (PTSD) is mentioned, one might immediately associate the mental disorder as an effect of combat. According to clinical studies, although the term came into use during the diagnosis of returning soldiers from the Vietnam War in the early 1970s, symptoms have been documented since ancient Greek times. It is not just a combat induced disorder, though; a person encountering a life-threatening event, such as sexual assault or accidents, can develop symptoms of PTSD, most often in adults. A National Institute of Health article from 2015 reports that “about 3% of the adult population has PTSD at any one time.” Therapy and medication are cited as treatment methods.

A little over a year ago (Wow, has it really been that long?), I reviewed the first issue in a new Star Trek comic called Star Trek: Waypoint. Released for Trek’s 50th anniversary, it was a collection of new, standalone short stories and adventures from each of the series: TOS, TNG, DS9, Voyager, and Enterprise. (No Discovery, sorry.) I loved that first issue and had nothing but great things to say about it. So, when the full collection of Waypoint comics came up for review, naturally, I jumped on it.

In general, I find that the adventures in The Rook are better when they feature more of stalwart protagonist Restin Dane and less of his grandfather, Bishop Dane. While this volume starts out with a very heavy dose of Bishop, mercifully, he becomes, for the most part, less important and less prominent as things progress.

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