Regeneration episodes on Doctor Who have a tendency to be a bit too self-indulgent—especially when they are paired with a head writer’s final episode. (Yes, I am talking about “The End of Time.”) The reason is obvious: The story is supposed to reflect back on the current era of the show while tying up loose ends and looking forward to the next era.
The second installment of Poe Noir is a compelling, mind-blowing adventure. Tim Zajac and Miguel Acedo have penned superb adaptations of Edgar Allan Poe’s classic tales while Graham Sisk’s stunning black-and-white art continues to leave me awestruck. Both episodes in this issue deal with obtrusive power and the subsequent breakdown that follows, retaining Poe’s dark themes but depicting them through classic noir rhythms.
As 2017 comes to a close, I normally like to reflect back on some of my favorite comics I read throughout the year. IDW Publishing has pretty much been my go-to publisher these past few months, and I have to admit that one of my favorite series of theirs is the ongoing Back to the Future comic books that started just a little over 2 years ago in late 2015. We’ve read about all sorts of interesting “alternate” adventures of Marty and Doc, as well as learned more about secondary characters like Marty’s Uncle “Jailbird” Joey. We even got glimpses into sideline stories that helped to explain certain plot holes from the original trilogy.
Whereas James Tynion IV and Erik Donovan’s previous collaborations, Cognetic and Memetic, have been structured around a three-issue story arc that was confined to a specific time and place, their new three-issue story, Eugenic, reads more like Ray Bradbury’s Martian Chronicles. It sets up a specific event and then hops to different points in time with different characters to further the world and themes. I want to see more stories set in this world even though I feel this third issue didn’t quite capture my imagination and emotional involvement like the first two issues. Its heart is in the same place as we jump into the future again with some big ideas. It’s depressing and sad, but not in a way that struck chords. If anything, this third issue seems more like a pitch for a much larger story – one I’d like to see.
A lonely, brooding detective takes on the case of an ex-girlfriend, only to have two things confirmed: He won’t get the girl, but is he a great detective.
The first volume of Black Hammer was great. This one is even better. The more I read, the more I want to read, and the more engrossed I become in the world that writer Jeff Lemire and artist Dean Ormston have created. It’s a mystery that unfolds page by page, issue by issue, full of incredible characters and brilliant twists. I can’t recommend this comic enough.
The Jem and the Holograms: Dimensions comics run has made some great progress in terms of LGBTQ2* representation and race and body type diversity while still centering music and taking its aesthetics from the '80s pop-punk scene, and this installment furthers that work. Comics in the Dimensions series include two short stories each, with the ultimate intention of showing Jem, the Holograms, the Misfits, and even a pretty well-developed set of groupies in a multi-dimensional way through extended world building and character development. Each story is written and drawn by a rotating crew, meaning that each comic contains two distinct story and art styles. This installment includes Sarah Kuhn and Siobhan Keenan’s “Face Off” and Sarah Winifrid Searle’s “Star Girl.”