Honor is a tithe paid in blood.
I love westerns. It wasn’t always the case, but after I spent some time driving out west and seeing the land, I found an appreciation of the genre. Rick Remender has a new series that is draped in his sci-fi sensibilities but has the West at its heart, and it perfectly utilizes the slow burn to great effect. In Seven to Eternity, folks who haven’t sold out to the Mud King (equivalent to greedy landowners and bankers, but seemingly with more of the whole “your soul is mine” kind of vibe gong on) have been either subsumed in a great war or pushed to the outer boundaries of the world. One family has stayed out of his reach, but when their patriarch is brought low, they’ll have to decide how they’ll move on, and not everyone can agree how it should be done.
When last we met our intrepid heroes, Emporia, Tor, and Dane were trying to find their way back to the children who were about to get a good look at the inside of a grenade and then the vast expanse of the vacuum of space. Cheery. Things get explosive at the top of this one (Yeah, I sometimes want to slap me, too.), and we see the results. With the rash of insanity that we’ve seen so far, I can say there are a few moments of calm in this issue, but as you would expect, they don’t last long at all.
Welcome to the land of Equestria, where hooved animals reign supreme and friendship is an actual power source. Yes, we’re looking at a My Little Pony comic today, the 7th volume of the Friends Forever series. Unlike many comics that follow multi-issue stories and a general arc, this series is composed of one-shot stories where two characters that don’t usually share a lot of time together get put into situations where their personalities come together or clash in new and entertaining ways. Volume 7 takes us through four such stories with a variety of colorful pairings. Are they golden monuments to the magic of friendship or do they crumble into horse manure? Let’s take a look and find out.
Murder. Gruesome. London. Despite the mystery surrounding such butchering, it’s undeniable how even a few words can automatically resemble one notorious being: Jack the Ripper.
IDW Publishing brings Alan Moore and Eddie Campbell’s From Hell back to the newly released category as it’s introduced with a new hardcover. Colored with scattered red lines to resemble the sky connecting to the bright red city of London. The exterior foretells the bloody sequences that the reader will soon become familiar with during the journey of Whitechapel’s infamous serial killer.
Keiron Gillen and Jamie McKelvie's The Wicked + The Divine has been a massive hit throughout the twenty-two-issue run of the series thus far, and the story of the Gods that come back to life every ninety years has been some of the best in creative storytelling I've seen in a long time. With the book now on a break to get back to the normal release schedule, Gillen has teamed with artist Stephanie Hans to tell a new tale about these beloved characters during another time in their long and storied lives.
Adamant is about a superhero who’s suddenly flung into a strange and unfamiliar future. In the first issue, we saw our titular hero arrive in this new world, completely bewildered by his surroundings (which included a human-sized talking frog, along with a very interesting evolution of slang). In this issue, we get to see a little more of this world and get a slightly better idea of just what’s going on.
To the top of the roof, to the top of the wall…
Myths are an incredibly important part of the human condition. We weave tales into our collective consciousness that become the foundation of our shared experience. With the incredible increase of content outlets in the last decade, people are becoming much more fragmented in their entertainment options and the stories that bind us together, but myths are deeper than that. They envelope and transcend television, internet, and radio. The mythos of Santa Claus is one such, and though the holiday that’s associated with his story is Christian in nature, I’m a firm believer that it has spun away from that context to be its own unique, non-denominational entity, where the traditions that predate Christianity within his tale are coming to the fore every now and again. Jim Butcher has done it with a wonderfully joyful and sinister approach, and then there’s Action Lab’s Sleigher which is ridiculawesome, but Grant Morrison approaches this paragon of goodness and giving in his own way, putting his own unique touch on a story that lives within a large part of people.
There are some comic book characters that are always recognizable, and Dark Horse Comics has one that’s just that. There’s a good chance you have heard of Hellboy, and there’s also a good chance you know that he’s red, has shaved-off horns, and sports a noticeably long tail.
Fol rol de ol rol.
I first read Neil Gaiman’s Troll Bridge in his short story collection, Smoke and Mirrors. In typical Gaiman fashion, it’s a story that is both familiar and disquieting, one where you feel like you’ve heard it before but you’re still surprised by events. In that way I’ve always found his writing to be a little like a nightmare, but one that I can’t stop myself from wanting more of. I’m not sure that this entirely makes sense, but it does convey the fact that I’m already familiar with the tale and that I find the original work terribly moving and upsetting (again, in a good way. It’s so hard to accurately describe this without the weight of word connotation misconstruing my meaning. Gaiman makes me have to redefine language.).