War for the Planet of the Apes lives up to what you would expect from the series. There's the human surviving faction, and then there are the apes, led by Caesar, as established by the current film franchise; however, this series offers writer David Walker and artist Jonas Scharf a unique chance to expand the palate of the story. It also gives them the chance to design mystery and suspense tied around new characters for their story. The result of their work is not only an evocative and attention-grabbing first issue, but something that reminds us of other powerful apocalyptic survival stories like The Walking Dead or Apocalypse Now.

Image Comics celebrates its 25th Anniversary this year, and they have brought back titles in various ways, including Spawn and Youngblood. They have also created a “one-time printing in honor of the anniversaries” for The Darkness 20th Anniversary Collection, which includes nine issues and a preview. This collection includes issues one through six of The Darkness Origins, The Darkness/Superman 1 and 2, and The Darkness/Batman, and the cover page of this trade paperback brilliantly showcases the first story.

For the writers you admire, athletes you love, and politicians you support, I think it’s just as important to understand when one of their endeavors doesn’t seem to work as well as their others and why, as much as it does basking in their victories. Matt Kindt, I feel, is one of the most talented writers in the comic book industry today. He has a handful of comics running right now that I’ve committed my time and emotional investment in, but my first experience with him was the perfect Mind MGMT. I have to say that five issues into Grass Kings, the story has finally ramped up, but it is not connecting with me the way his other books have.

The worst thing you can give a person is hope.

There’s something beautiful about the primal nature of fear. It’s so simple and uncomplicated. I think that’s why many of us are attracted to horror films, and the genre in general. The Xenomorph is one of the most beautiful cinematic creations to me. Much like Ashe, it’s difficult not to admire. I think the same can be said about the works of H.P. Lovecraft whose horrors have lived beyond our existence. I have to admit I’ve never read one of his stories myself, but I’ve read a number of the quickly accruing comic book adaptations of his work, which I’m sure will be followed by even more film adaptations.

Here – we – go. As if the first issue in the Samaritan series didn’t grab our attention enough, Issue #2 takes readers for an exhilarating ride as Sam tries to track down any connections to the President of the United States that will send him to prison. With such a large target and a wealth of resources at his disposal, it isn’t going to be easy to stay hidden or alive.

Captain Michael Geary, grandnephew of Alliance legend Captain John "Black Jack” Geary, should be on his way home after the Alliance won the war against the Syndicate, but their captors have other plans for their prisoners. Fortunately for him, Executive Destina Aragon, commander of the remains of the 1252nd Syndicate ("Syndic") ground forces regiment, has made him an offer—join their mutiny or remain a prisoner.  Guess which one he chooses?

The covers. The covers. The covers. I have to start here, because they continue to impress me profoundly. Glenn Fabry’s cover is an exquisite work of art, blending fantasy and reality to create a nightmarish kaleidoscope of a carousel ride. David Mack’s variant brilliantly hides a silhouette amid the main focus of the cover, demonstrating his mastery at subtlety and blending images. Even though they are drastically different, both covers capture the atmosphere and mood of the series—the mysterious darkness of the Gothic epic journey—and effectively contribute to deep impressions that the myth aims to provide.  

You can’t go home again, but, sometimes, home comes for you.

Page 2 of 47
Go to top