In the last near-decade, Jamie McKelvie and Kieron Gillen made their mark on the world of comics in a big way with their hit series, Phonogram. After reading over 500 pages of the completed collection of the series, I realized two things: It's one of the most British things I've ever read, and it's also one of the most brilliant. Collecting the three major arcs (19 issues, along with some shorter pieces within the universe), The Complete Phonogram lives up to the hype the series has garnered as one of the most iconic series in recent history. With that being said, let's start the show.
The end of “Imperial Phase (Part One)” is here, and with it comes one hell of a party. This is a pretty stark contrast to the way the rest of this arc has gone, with most of it being a bit more dour, what with this whole “Great Darkness” thing coming, and all of the Gods being a bit more divided on the whole subject, and each other.
Like most mothers, Linda Anderson isn’t perfect. She’s made more than a few bad calls in her life: She married a thief, started taking drugs when he passed away, and didn’t look after her son Hunter as well as she could have. But she’s been on the straight and narrow for a long time now, trying to make an honest living. Her son hasn’t.
Titan Comics released the first of two issues of Dark Souls: Tales of Ember earlier this month. Based on the video game developed by FromSoftware, Inc. and produced by Bandai Namco Entertainment, this issue collects three stories bookended by an intro and outro. The anthology expands on the lore of Lordan and Dragleic under the editorial guidance of Tom Williams (Dark Souls: Legends of the Flame) and Wilfried Tshikana-Ekutshu as the series designer. Lettering for the issue is provided by Williams and Michael Walsh (Hawkeye; King Warlock and Blue Bird).
In its latest Main Stage performance, LA-based theatre company Theatre Unleashed (TU) presents a beautifully crafted production of John Steinbeck's Of Mice and Men, illustrating humanity's continued struggle for connection, empathy, and compassion as we maneuver through life's experiences. Calling upon Steinbeck's classic tale of loneliness, hardship, and social stigma, Theatre Unleashed delivers a production that is poignant in its timeliness and necessary to our society's ongoing conversation of inclusion, understanding, and equality. Through Of Mice and Men, audiences will no doubt be in awe of the company's endless talent and creative energy while walking away with a renewed desire for embracing goodwill and sensitivity.
Charles "Chuck" Higgins was at the wrong place at the wrong time when he bumped into an inebriated space traveler named Joppenslik "Jopp" Wenslode. Quickly captured by the Prime Partners Intergalactic Consortium, Chuck and Jopp are forced to work together, hauling cargo between space destinations. Their friendship is solidified when Haaga Viim and his crew of mercenary space pirates attack Jopp and Chuck’s cargo ship, causing them to crash on an outpost planet. The madcap adventure takes off from there, and after some plot twists and red herrings, the pair solve their crisis.
In his previous book, Stay Younger Longer, author Ryan Hyatt conjured up a world not so far from our own, where eco-politics carried more weight than they should, the search for the next party was everyone’s greatest quest, and California set the standard of living for the nation.
Like a Hollywood bio-pic Milo Manara tackles the life of the genius artist Caravaggio, giving us explanations of what inspired his greatest works and who his female muses were, as well as his greatest adversaries. In the end, however, the story presented by Manara feels more like an explanation of events than an actual story.
Have you ever sat and listened to someone try and tell you their dream? Of course you have. No matter how interesting or crazy the dream is, there’s always a disconnect. You’re always just out of reach of the experience, because it’s not your dream. At its best, reading a comic book is like living in someone else’s dream, usually a handful of people. You’re sent on a journey, experience the adrenaline, and feel the feels. There is a tangible intersection, a crossroads of the conscious and subconscious.
Rock Candy Mountain, written and drawn by Eisner-nominated Kyle Starks, takes its silliness seriously and is serious in a very silly way, and wins because of it. This is a world with hobos, hobo mafias, and Satan. (Literally, the guy with horns makes an appearance.) Ya see, Satan is looking for someone and that someone is Jackson, and Jackson is looking for something and that’s Big Rock Candy Mountain. Yes, from the song.