Like the canyons and mesas that form its beautiful, if artificial, backdrop, Westworld is full of echoes. One can see and hear many, many other texts resonate through this one, including, but not limited to, Battlestar Galactica, Quentin Tarantino films (most notably Kill Bill and Django Unchained), The Hunger Games, Terminator, and any number of “killer robot” films, including the original Westworld. (Tangentially, was Michael Crichton beaten up at a Six Flags or something? Between this and Jurassic Park (also echoed), we get it - theme parks are evil. I’m still keeping my season pass to Universal Studios!) References to other texts, to history, and to our world abound (not like in Stranger Things, in which virtually every reference is for nostalgic purposes, but rather to give us a world we think we know, but don’t really). Yet for all these echoes, what results on screen is a highly intelligent and original (if a little slow), unfolding narrative with great promise. Part of the pleasure is playing spot-the-allusion (especially the music - the player piano rendition of “Black Hole Sun” is worth the watch alone!), but much of it comes from learning about this world and then seeing everything we think we knew (both from assumptions while watching and from presumptions based on earlier texts that do similar things) reversed or erased.
You know that friend who only has a few anecdotes and constantly keeps retelling the same stories over and over again? Steven Moffat has become that friend to Doctor Who, and no matter how great those stories were the first time, I am tired of them.
While “Into the Dalek” was by no means perfect, it was far better than the previous episode. In this episode, we got to see a bit more of what the Twelfth Doctor will be like, and we also got the addition of a new cast member.
Do not hold your breath for “Deep Breath.” Series 8 of Doctor Who has begun, and it is off to a mediocre start. Peter Capaldi deserved a better outing for his first full debut, and, more importantly, we, as the audience, did as well.
It can be difficult to replicate an actor's voice in a comic book, but writer Nick Abadzis has been doing a great job capturing David Tennant's frenetic and wordy cadence in Titan Comics' Doctor Who: The Tenth Doctor.
This issue takes place between Series 5 and 6 of Doctor Who; however, it works as a great point for new Whovians to jump in.
Set shortly after “The Stolen Earth” and “Journey's End” during the David Tennant specials, this issue sees the Tenth Doctor visiting present-day New York City. While this is near the end of the Tenth Doctor's tenure, it still works as a starting point for those who are new to Doctor Who.
The second episode of Fleming: The Man Who Would Be Bond had a much darker tone than the previous one, which does not come as too much of a surprise, since it takes place during World War II. Although, the war is not the only source of turmoil in Ian Fleming's life.
Series 7 has come to a close, and, overall, it has been one of the weaker seasons since the reboot. The conclusion of the series was “The Name of the Doctor,” and despite how disjointed this past year has been, it was one of Steven Moffat's better finales.
MAJOR SPOILERS BELOW