Like a lot of episodes this past season, I enjoyed the subplot of “Resolution” better than the main story. I am much more invested in the companions’ arc than the adventure aspects. Showrunner Chris Chibnall’s decision to shift the focus of the show back on the companions was the right move (especially since the previous era focused so much on mystery and suspense); however, I needed more from the Thirteenth Doctor’s first confrontation with the Daleks—or any classic monster for that matter.
I would like to begin my review of “The Battle of Ranskoor Av Kolos” by pointing out how I correctly predicted that the Stenza would be the big bad for Series 11 in my review of the second episode. (Ed. Note: Our staff at Fanbase Press are the most humble of folks.)
I had a very strange experience watching Doctor Who this week. “The Witchfinders” sees the Doctor and her companions travel to Pendle Hill. My association with Pendle Hill is that it is the name of the school handbook at my alma mater. The school was founded by Quakers, and the book is named after the site where George Fox had a vision to establish the denomination. Needless to say, we were never told about the incident that made the location infamous.
When I first heard that Doctor Who would be visiting Rosa Parks in Montgomery, Alabama, during 1955, I was a bit nervous. The show has a tendency to go wild with the sci-fi elements when meeting historical figures (such as HG Wells meeting lizards known as Morlox or Shakespeare fighting alien witches). At times, this can be fun; although, it could easily disrespect her contribution to the Civil Rights Movement.
“The Ghost Monument” gave us our first look at Doctor Who’s new opening credits and theme song (which were both absent from last week’s episode). Keeping with the throwback to the classic Who aesthetic that Chris Chibnall has been cultivating, both feel very reminiscent of their counterparts in the early years of the show. There was a massive regime change behind the scenes this season, and I was most worried about previous composer Murray Gold’s departure from the show; however, his replacement Segun Akinola is off to a fantastic start. Gold’s music brought a full orchestral sound to the show, but Akinola’s theme shifts to the more alien and ethereal qualities present in the beginning of the show’s long run.