I was lucky to attend the Sundance premiere of Kevin Smith’s highly anticipated horror flick Red State, starring up-and-coming actors Michael Angarano, Kyle Gallner, and Nicholas Braun, as well as established actors Michael Parks (Then Came Bronson, Twin Peaks, Kill Bill Vol. 1 & 2, Grindhouse), Oscar-winner Melissa Leo, and John Goodman. When I arrived at Eccles Theater in Park City, Utah, I was greeted by a huge line and a mix of protesters: half, serious religious picketers, half, ironical picketers, which included Kevin Smith himself, as well as a teen with my favorite sign that read: God Hates That I Couldn’t Get Tickets To Red State. The film centers on a trio of high school youngsters (Angarano, Gallner, and Braun) who, out of a combination of sheer boredom and raging hormones, respond to a woman’s internet sex ad in the hopes of having an ill-planned, and ill-fated, gangbang. Smith leaves his signature mark on this film with witty banter, unapologetic plot twists, and overt social critique, but his own style ultimately ends up hurting the film. Watching Red State was a hard-to-swallow experience, as there is as much good as there are short comings, and I was left with the frustrating—and not uncommon—sentiment that hidden somewhere in this film was the potential for greatness.