The captivating and otherworldly artwork of Swiss surrealist artist H.R. Giger has, for years, influenced, terrified, and enthralled the world around him with his dark and often erotic paintings and designs. Bursting (sans chest in this case) into the global spotlight with his Academy Award-winning work on the sci-fi horror classic, Alien, in 1979, Giger himself has remained a mysterious and intriguing figure to his fans for some time, but with the upcoming release of Icarus Films’ definitive documentary, Dark Star: H.R. Giger’s World, director Belinda Sallin invites audiences into the personal home and artistic soul of Giger like never before.
The main focus of the trailer, posters, and most other publicity for Kill Me Three Times is star Simon Pegg. So, the first thing you’ll probably notice upon watching the actual movie is that his name appears dead last in the opening credits, as “and Simon Pegg,” the way they do with major celebrities in minor character roles. In truth, this is an ensemble piece, and though Mr. Pegg’s role is significant, it’s not the focal point of the film.
I'm a sucker for friendship. Maybe that's because my friends mean everything to me. Don't get me wrong, I love my family and all, but friends are the people who are there for you when family isn't. However rarely or frequently your family can't be there to support you, good friends who will be are hard to come by. Thus, I say it again; I'm a sucker for friendship. So, naturally, Guardians of the Galaxy was like my life mantra.
(Although I don't intend to give away the entire plot, I may mention key events in the movie that some readers may want to be surprised by.)
I'm not gonna lie. I went to see the new Teenage Mutant Ninja Turtle movie with low expectations. In doing so, the movie didn't turn out to be half bad. And, as a huge TMNT fan growing up, that's saying something. Allow me to give you my thoughts about what worked and what didn't work, and then feel free to argue with me in the comments below.
There’s a poignant moment in Still Alice wherein the titular character, played by Julianne Moore, says, “I wish I had cancer.” When you have cancer, everyone wears ribbons in your honor, raises money, and gives you their utmost sympathy and, more importantly, respect. Alice doesn’t have cancer. She has Alzheimer’s. Instead of being embraced by society, she’s made to feel embarrassed by the things she says and does. Instead of people’s sympathy, she gets their pity, which is not the same. And, instead of destroying her body, the disease takes away her mind, piece by piece.
Faults starts out as a broad comedy, then gradually transitions into a tense thriller, before finally ending up as . . . something else. It’s hard to say what. Regardless, though, the film manages to be entertaining and compelling throughout.
The official plot synopsis of Self Made heralds it as an Israeli body-switching comedy. I suppose this is technically accurate, but it’s also a bit misleading. It’s more like Trading Places or The Prince and the Pauper than, say, Freaky Friday, and even that’s not the most accurate description. This is a very quiet, subdued movie and different from anything I’ve ever seen.
There have been plenty of movies that blur the line between reality and dreams. There have been a fair few movies that blur the line between reality and film. Reality is one of the only movies I’ve seen, though, that blurs the line between all three.
Eden, premiering November 7th at AFI Fest 2014, isn’t so much a film as it is a journey. It doesn’t exactly have an arc, nor does it flow the way we generally expect films to flow. It’s a French film, with a different focus and a different feel than American films generally have. We watch the story unfold through a series of stops on the journey—fragments and increments that might not have a traditional Hollywood structure, but in the end, tell us everything we need to know.
The FFOW! series takes a look at that vast library created by the proud and the passionate: fan films. Whether the budget and talent is astronomical or amateur, FFOW! celebrates the filmmakers whose love of comics, books, movies, video games, and TV shows inspires them to join the great conversation with their own homemade masterpieces.
Director Vincent Tran has gained momentum this past year thanks to his very successful Supergirl fan film, Girl of Steel. (You can read my review here). His modern interpretations of DC characters strips off the colorful costumes and replaces them with logical and emotional motivation. The same trend continues in his newest film, a spinoff set in the same Tran-verse of DC continuity that promises even better stories.