Whatever you do, do not call Poltergeist a “little runt.” Otherwise, you’ll find yourself dangling, perhaps lifelessly, from a tall tree branch. If it happens, you can only hope the branch is sturdy enough to hold your weight until you can wake up. Of course, that’s if you’re lucky enough to still be alive.
LaValle’s Monster is cold and bionic at first glance, but it’s surprisingly all heart. We are first introduced to him sprawled out while he sits atop a mammoth ice tower, his power billowing over. He sits alone, ripped shorts blowing in the wind, hollow eyes as he sits on his throne tower of ice. Chilling, yet within an instant, he is diving through the ice to destroy two wale poachers, morning the death of the creature while smashing their heads off. The Monster is about to join the ranks of a group of vigilantes when he hears of the news of Dr. Frankenstein and her lab, infuriating him.
James Stokoe’s vision for Aliens: Dead Orbit is one of visceral terror. The Xenomorph is nightmare fuel, not because its origins are unknown, but because it spits in the face of what is natural. It laughs at what we know with absolute certainty to be true. They are an aberration of sex and sexuality. Aliens is a highly subversive creation, as it was with Giger’s art. It somehow, more than most things, captures the imagination of its viewers unlike most other cinematic monsters, because it is tangibly amoral. As a species, we mean nothing to it.
It’s been awhile since I’ve read a Mike Mignola book, so I thought I’d give this new run of Joe Golem: Occult Detective a try. I haven’t read any of the other Joe Golem: Occult Detective books, so the title of the book is the only angle I have to understand what’s up going for me. Otherwise, I don’t get a really good handle on who Joe Golem is in this first issue.
Superheroes. Death. Good versus evil. In the comic book world, it’s often you might find all of these characteristics within one comic book. What happens when someone, or a group of people in this case, decide to focus on individual components to make a story interesting and develop enough depth to be curious to see what happens next? In Hiatus Studios does just that with their anthology, Shards: Volume 1.
In the third installment of Anno Dracula, time is pressing forward and loyalties are questioned as Dracula’s tin jubilee nears. The rebels move forward with their plans, and Croft’s crew remains on their hunt. There’s also the Chinese faction that has emerged as a mysterious third party with a plan of its own slowly unfolding.
Weavers is not your typical mobster versus rival gang kind of story. This story has a creep factor relatable to those familiar with the Star Trek: The Next Generation episode, “Conspiracy,” or an earlier scene in the film, Star Trek II: The Wrath of Kahn. If you’re not a Star Trek fan, then perhaps think of Spider-Man meets Alien. In this case, your body isn’t bitten by a spider or eventually destroyed once the Alien matures and plunges through your chest; however, a spider does invade your body, giving you special abilities and eventually twisting your thoughts to the will of the collective – the Weavers syndicate. Okay, so maybe the last reference is more of a stretch than the others.
First looking at Strawberry Shortcake: Funko Universe, I was delighted by the delectably fun design of the the cover. Purple Pie Man and Berry Bird are vinyl figures made up in 3D, as if they were clay dolls in packages waiting to be ripped open and devoured. Clever, cute, and playful - it's a perfect way to start a youthful comic. The comic does not disappoint, as it is filled with vibrant colors and enticing visions of food in a plethora of forms. There are pies everywhere, houses made of pies, curly hair representing meringue, apples on trees, and surrounding it all are rainbows and bright sunshine. Even the ominous, dark sky is filled with color. The artists paints the world of Strawberry Shortcake the way a child would envision it, and as it should be… utterly edible.