In The Girl in the Bay, Kathy Sartori wakes up after a traumatic experience to find that many years have passed, seemingly in the blink of an eye. The world around her has changed drastically, while she remains the same. It’s a story that’s been done many times before, from Rip Van Winkle to Flight of the Navigator. But it’s never been done like this. For one thing, the story and the supernatural elements have strong ties to the teachings of Buddhism, which gives the comic a bit of a different flavor than is typical in Western comics.

The lauded sword-and-shield epic, The Last Siege, is finally collected into one blood-soaked volume. Against the backdrop of medieval warfare, writer Landry Q. Walker and artist Justin Greenwood tell a massive story that is surprisingly intimate and wholly entertaining.

About a year ago, I reviewed the first issue of an odd, little comic called Zero Jumper about time travel, space travel, and the apocalypse. I’ve been thinking about that comic ever since—those being three of my favorite things, after all. Now, finally, I’ve had the chance to experience the entire story. It’s full of twists and turns, and not always the easiest thing to follow, but it’s a lot of fun nonetheless.

Man-Eaters Volume 1 is a generational landmark in the comic book medium.  It was not written and drawn like most comics and graphic novels.  Rather, it was a directed and orchestrated collision of story, art, graphic design, poetry, biography, history, and unapologetic agenda.  It grabs you from page one and smacks you right in the face.  But you can’t help but go back and get smacked again until you finally get it.

Samurai movies are some of my favorites. Watching Kurosawa weave universal tales and Toshiro Mifune cutting down endless numbers of foes, films simply called Kill! wove 1960s-style cinema with breathless fight choreography and riveting stories of characters barely surviving. For me, there was something otherworldly, yet completely relatable, as themes of honor, loyalty, and death were explored in ways that made my imagination spin uncontrollably. And even though there is a strong similarity, I feel more connected to the worlds of the Samurai than I ever could to those in a Western, and that’s closer to my culture. That’s a whole other article, so I digress…

They pay him to kill.
He lives in a world of faces without names, without futures. Two-dimensional images frozen in time.
An amateur would be shaking like a leaf before each operation.
He’s like a cold, tranquil lake.
Its surface…frozen.
Its depths…unreachable.

Taking some inspiration from the Tuskegee Airmen, Jeff Lemire takes his world of Black Hammer to World War II, as we follow a group of three black and one Chinese pilots, known as the Black Hammer Squadron, on their final mission against the Axis. Lemire doesn’t do it alone this time; writer Ray Fawkes is the first to co-pilot and takes on the job of telling the story.  In addition, three of my personal favorite comic creators hop on board - Matt Kindt (art), Sharlene Kindt (colors), and Marie Enger (letters) - all three of whom worked on a beautiful book and one of my favorites from last year, Dept. H. It’s like Lemire wanted a powerhouse team; he got it, and it shows.

From March to July of 2018, Dark Horse Comics published the five-issue miniseries of Frank Miller’s neo-peplum comic, Xerxes: The Fall of the House of Darius and The Rise of Alexander. Xerxes was a continuation of Miller’s prior sword and sandal epic, 300, which became a pop culture juggernaut in the mid-2000s when it was adapted into a film by Zack Snyder. Dark Horse has now collected all the issues of Xerxes and published them in a handsome hardcover collection.

When all the options suck…pick any card.

Amanda Ripley (daughter of Sigourney Weaver’s iconic heroine) and ex-Colonial Marine Zula Hendricks continue to rage against the machine in Aliens: Resistance #2, released this month from Dark Horse Comics. Continuing the story that writer Brian Wood and artist Tristian Jones established in the Aliens: Defiance mini-series, Wood (now paired with artist Robert Carey) uses the second issue to shed a bit of light of on some of Weyland-Yutani’s darkest secrets, while also making it quite clear that no one’s safe return is guaranteed from this deadly mission.

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