Marc Jackson has created a weird, silly, and humorous take on space exploration. Your imagination can’t prepare you for the shenanigans the main character finds himself in. Not only will you wonder where this story is going, you might wonder how a simple run to the local space market, looking for “blue milk,” could go quite so awry.
First encounters with alien species might seem like an entertaining prospect. There is a romanticized quality from major franchises like Star Trek and Star Wars, yet history proves this is not always the case. In particular, the recent introduction of “Engineers” from the film, Prometheus, proves that discovering new life can be absolutely terrifying.
When I first heard about the massive crossover that Top Cow Productions was undertaking with the release of Eden's Fall, a series that would take three of their top titles (Postal, The Tithe ,and Think Tank) and place them all together, I was incredibly excited. The company, along with fearless leader Matt Hawkins, has always been one of the more interesting smaller publishers on the market, taking big chances with very unique titles. It seemed only fitting that they take all of their work and fold them into one another, something that could lead to a wholly new kind of crossover.
The Deep is an all-ages adventure that gets it right with the first issue. This currently formatted six-issue series, which can also be seen as an animated series on Netflix, presents a fun glimpse into the ever-wondrous world of the deep blue sea.
The first story arc, “The Hunt for the Dire Beast,” is concluding with issue five of Battlecats, a digital comic book series from Florida-based Mad Cave Studios. In fact, it is hard to believe but it was a year ago that I reviewed the premiere issue of this series. Hopefully, you have been following the progress of my reviews and perhaps even started reading the series yourself. In case you are not familiar with the series, this is an epic fantasy tale that follows a squad of warrior cats – Battlecats, in case you didn’t catch the titular title – who have been sent on a quest by King Eramand III to return with the head of the kingdom’s arch nemesis, the La Marque dire beast.
Do you love zombies? Whether your answer is yes or no, wouldn’t you agree you would prefer to be chased by the likes of the Night of the Living Dead? Their pace was somewhat of a leisurely jaunt compared to more recent alternatives. It would have to be a better circumstance than trying to outrun one in Zombieland. If you’re still unsure about what kind of undead you’d rather be surrounded by in a zombie apocalypse, then perhaps you should check out the opening sequence to Dawn of the Dead. Have you been convinced that the slower-paced “walking dead” would be the better choice?
“Step up into my greenhouse and speak your names.”
“I see Flames and blood.”
“I hear screams and dying… Your past is your past. You know why you are here, as do I… Once you cross my threshold and enter my home, there are only three things I require of you. There shall be no violence, no lying, and no lateness. Break one of these and you forfeit your right to remain here…Welcome to my home.”
Well, another issue of Wic/Div has been released, and with it comes some of the biggest revelations of the series thus far. We've basically been hearing for most of the series about the impending doom that is to befall our cadre of psychotic and hedonistic Gods once their ninety years on Earth are up. They're to die, without question, only to be reborn again some time later. Their fearless leader, Ananke, knew this, and in order to preserve this way of life, intended to sacrifice four of the Gods to stave off something called “The Great Darkness.” That didn't exactly go well, as the Gods revolted and killed Ananke, leaving everything kind of up in the air.
Be careful who you love. That line might work as the tagline of The Shadow Glass from Dark Horse. Written and illustrated by Aly Fell, with letters by Nate Piekos of Blambot ®, this lush and beautiful graphic novel brings us to the time of the Golden Age of England (1500s), where magic and lust are intertwined.