Over the last few years, creators James Tynion IV and Eryk Donovan have been delving into some Cronenberg-esque areas of horror with their series of comics that I’ll call the “-ic” series. Memetic and Cognetic were the first two series that delved into the downfall of the human race in equally terrifying ways. They were both strange and effective creations that I loved. Now, Eugenic, while still holding true to the terrifying horror elements of the previous books, is just as much about the rebirth of the human race as it is the destruction of it.
I've loved Sex Criminals since the very first issue. As a fan of Matt Fraction's work, and based on the mature but baffling concept of two people who meet, fall in love, and stop time when they climax, this seemed like a really fun series. And it is. Honestly, it's probably the funniest comic book on shelves right now.
First Strike #4 focuses on Scarlett and her past relationship with Coulton. We get an idea of where she came from and the relationship between the two. The series is a fascinating mashup between multiple different brands available to IDW. For Optimus, it's a pretty intimidating situation. He's being held to task by Elita One and Sunstreaker for the war the Transformers have been waging. With Scarlett, you are able to get the human perspective as to the war that has been going on.
A couple of years ago, I reviewed the first issue of a time travel comic called The Infinite Loop. Then, unfortunately, I missed the opportunity to review the rest of the story arc. But I liked the first issue enough that, even though I wasn’t reviewing it, I still kept up with the comic on my own. It was a beautiful blend of existential philosophy, social commentary, pop culture references, and, of course, crazy sci-fi shenanigans.
Colder is a wickedly inspired horror series. Over three story arcs, it tells the story of Declan, a man in a waking coma whose body temperature continuously gets colder. Why does he get colder? Reece, his caretaker for a few years, sees him as a puzzle to be solved. Answers begin to come when Nimble Jack appears. Nimble Jack is what the Joker would be if Salvador Dali created him; he’s something directly from a dream…or nightmare. He’s a humanoid from a dark mirror universe that feeds off people’s madness. He is chaotic and unhinged, devilishly traipsing about the Boston cityscape, wreaking the most colorful of havoc on its denizens - manipulating people’s physical forms, changing the foundation of our perceived reality, and doing it all with a twinkle in his eyes. He may not be the hero of the story, but he is definitely the star. Whereas Jack creates and feeds off madness, Declan can cure it, but every time he does, he gets colder.
I fell in love with Bloom County at a young age, reading one of the earliest volumes that I found at a bookstore that was going out of business. As one of my first experience with comics, it was a great introduction to a world of silly gags, biting wit, and incredibly insightful observations. It's spurned a life-long love of Berkeley Breathed's work, and I was very excited to see this new volume of his work being released.
I Am a Hero Omnibus 4 may be the most visceral chapter of the series yet while retaining all of its glorious eccentricities. Hideo Suzuki and Hiromi find themselves forced to integrate with a group of survivors on top of an outlet mall as a horde of zombies below keep the survivors from precious, necessary food. These hordes of zombies aren’t your typical zombies, but Hideo isn’t your typical hero, and Hiromi is far, far, far from your typical woman in distress.
The opening epigraph of Mike Garley, Lukasz Kowalczuk, and Lukasz Mazur’s Samurai Slasher: Late Fees reads, “Remember, kiddo: not every story has a happy ending.” This epigraph is apt, as Late Fees is an exploration of coping mechanisms that artists and everyday humans alike take on as they live and work through unhappy, and sometimes even traumatic, situations.