B.A.E. Wulf: The Shadow Over Innsmarch is a new, long-form comic book that will release on March 2 from independent publisher Markosia Publishing. A mashup of an Old English epic poem about the hero Beowulf and H.P. Lovecraft stories, this is a modern-day tale about a disgraced journalist who - while investigating a series of crimes - learns that an island has been the locale for mysterious (occult) deaths. The journalist seeks answers in an old journal of a townsperson from a hundred years prior and finds that the events recorded decades earlier are eerily otherworldly and similar to what she witnesses during her investigation.
Tomorrow deals with a premise I’ve seen tackled a few times recently, where a super virus within a computer begins to affect those in the real world with a weird strain of illness. It’s a potent allegory to take on: how technology and the endless landscapes of social media affect who we are as people. Peter Milligan’s take on the premise differs in two very different ways.
The third and final issue of Moon Maid: Catacombs of the Moon sees Nah-Ee-Lah finally reaching the surface of Vah-nah (the interior of Earth’s Moon) and encountering a friendly tribe of primate-like beings called the Aa-Gas. The Aa-Gas listen to Nah-Ee-Lah’s plight against the nefarious Kalkars, savage human barbarians. The Kalkars continue to torture Nah-Ee-Lah’s protector, Pal-Dan, in the hopes of learning of her whereabouts in order for them to conquer her hidden kingdom of Laythe. The Aa-Gas agree to help Nah-Ee-Lah, and, together, they assault the Kalkars, hoping to vanquish them once and for all.
With Folklords #4, Matt Kindt continues to delve into the post-modern cerebral landscape of why #StoriesMatter. Also, what the heck are stories anyway? What happens if we don't know whether we're in a story? Who controls our stories? Are our stories based on the privilege of the knowledge that has been given to us? How would our stories change if we knew more? And in turn, I ask, how have those stories changed me and affected who I am? Does Kindt ask all of these question in this one single issue? No! But as a reader (and reviewer), I’m having an active conversation with the artist as I read their work, and these are the questions that spring to my mind when I read this issue, inspired by the adventure our hero finds himself in.
With the finish line in sight, Sex Criminals returns with the second part of their last arc. Jon and Suze have gotten back together, started planning to finish what they started with BankCorp, and working out what the future of their relationship holds. While our time-stopping couple don't get the full spotlight in this issue, they are at the center of this series, and they have a pretty big impact on its direction.
Amy’s life in Kokomo is coming apart. David and Cassie, her first friends when she came to Earth, have broken up. Will she need to choose between them? On top of that, Oliver, the strange, white-haired boy who hides his personality’s flavor, doesn’t seem to want to talk to her. And on top of everything else, Amy is failing history class. Everything is happening at once, and it may be too much for her to handle.