Killswitch is the all-new and exciting cyberpunk series by Jefferey and Susan Bridges from Action Lab: Danger Zone. Issue one introduces us to a future where Augurs, powerful telepaths, are feared and persecuted but brutally used for their powers. Major Regula, a woman who turned in her own brother for being an Augur and is revered by the masses, becomes disillusioned by what she sees and puts her career and life on the line to help the captive Auguers to escape from their confinement.
The following is an interview with Tim Bach, writer of the comic book series, The Family Graves, from Source Point Press. In this interview, Fanbase Press Editor-in-Chief Barbra Dillon chats with Bach about the inspiration behind the series, his creative process in working with artist Brian Atkins, what he hopes that readers will take away from the story, and more!
There’s a lot of heart in Ronin Island, and as Kanichi and Hana find their separate paths, the goals shift and change in a way that could very well put them at odds with each other. Hanichi and Hana are the same, but they have been taught that they are different. Both are fierce warriors, having just come of age, but because Hana is from a poor farmer’s family, and Kanichi is from a rich Samurai family, they are different. At least, this is what they’ve been told their entire lives, and as far as we can tell, it’s stuck.
Author and independent comic book creator Russell Nohelty is returning to the scene of the crime with Ichabod Jones: Monster Hunter #5. A continuation of the series that started it all for Nohelty, Ichabod Jones: Monster Hunter #5 also sees the return of original artist Renzo Podesta. Ichabod may be dead and buried, but, like many comic creators before them, Nohelty and Podesta refuse to let their hero rest in peace.
It's happened before. It will never happen again. So goes the final issue of the years-long epic, The Wicked + The Divine. After several years of exploring this world of gods, secrets, lies, and a weaving story, this beloved series is coming to a close. As someone who has followed this series since its first issue, this is a bittersweet moment for me. I've loved this series since issue #1 and have followed it through every twist, turn, and big reveal. While the contents of this issue are important, I think the bigger picture to look at here is the celebration of this crowing achievement of media, storytelling, and creativity.
I always enjoy James Tynion IV’s work on popular series like Detective Comics and his other ventures over at DC, but where he truly excels to me as a writer - where his voice as a creator is amplified - is when he releases one of his horror or sci-fi series at BOOM! Studios. Memetic, Cognetic, and Eugenic took the sort of body horror aspects from David Cronenberg and spun some truly great, socially relevant horror stories. Something Is Killing the Children looks like it’s the next in this sort of socially aware horror series, and he doesn’t wait to get into it.
As the title of this issue alludes to oh-so subtly, this issue serves as a prelude to BOOM!’s first epic Buffy the Vampire Slayer/Angel crossover event: “Hellmouth.” After the relatively slow burn of the last arc (Xander almost turned into a soulless vampire, and Willow sacrificed a bit of her soul to prevent that, NBD.), this issue is laser-focused on its mission to get us to the Hellmouth.
Christopher Cantwell’s second foray into comic books doesn’t ease you into it; you’re catapulted into its chaos. His previous series which ended last month, She Could Fly, was about one girl’s mental illness and her desperate journey to be free of it. It was amazing, heart wrenching, surreal, absurd, and one of my favorite series of the last two years. Everything ups the ante.