Dead Rabbit is a love letter to the rough justice pioneered by the likes of Frank Miller in the late '80s and early '90s. It’s dark and wickedly violent. Like most of those heroes of yesteryear, we get to see bad guys putting down bad guys. It feels wrong. It feels cathartic. In a time when the world is just as scary as it’s ever been, one man taking the visceral weight of crime on his own shoulders certainly revs MY engine. Anyone likely unsatisfied with our current socio-economic climate will likely find a bloody home in Dead Rabbit.
Picking up soon after the second Umbrella Academy series, the special siblings of the deceased Hargreeves are still trying to pick up the pieces of their fractured lives, mostly due to their own poor choices, but in Gerard Way and Gabriel Bá’s darkly comedic world, there are no loose ends, and some of those ends look to be finding their way back into the main thread. Hargreeves seemed to have had an off-planet prison for villains that his children would face - a hotel called Hotel Oblivion - and with Hargreeves having been dead for so long, the villains have basically been unattended, and one of them has found a way to escape…
After I arranged to review this book, the publisher sent me a physical copy of the second installment of Gengoroh Tagame’s My Brother’s Husband. This is the first time I’ve received a physical review copy of a text, making My Brother’s Husband: Volume 2 a bit of an outlier in my review experience. The decision to send a physical book is eminent, as it drew my attention to several features and oddities inherent to the text. My Brother’s Husband is a manga, which means that it is meant to be read from right to left (the reverse of traditional left-to-right page and book orientation in most of Western publishing). For a Canadian reader who is broadly unfamiliar with Japanese publishing, and with manga in particular, the experience of reading this text was different; my awareness of page layouts and pacing was heightened, and I was vividly reminded of the text’s form every time I turned a page. The decision, then, to send a physical copy of the text was pragmatic, as it enabled me to make a closer, more detailed account of the ways that My Brother’s Husband is, at its core, a queer text.
Navy veteran and award-winning Golden Age comic book artist Sam Glanzman brought the battles of World War II into the hands of readers. His powerful renderings depict a realistic glimpse into the challenges and energy of combat. Publisher and Editor-In-Chief Drew Ford has put together a collection of Glanzman’s work from the series, Combat. Coming off Christopher Nolan’s 2017 film, Dunkirk, audience members now have another opportunity to see the battle and rescue brought back to life. Releasing Glanzman’s work now is also a nice tribute, as he recently passed away in July 2017 at the age of 92.
In Issue #6 of Monster Matador, Ramon learned of a chupacabra threatening the town of his new-found compatriots. In Issue #7, armed with his sword, bullfighter’s uniform, and fierce faith, he works to eliminate the menace only to have his daughter and her friends get threatened by the terrifying beast. Will our Matador arrive in time? Can a French cook with a litany of insults and a meat cleaver be a hero? Then, Issue #8 faces the harsh reality of Ramon and Adelita’s nomadic lifestyle: When a new threat arises, the Matador must face it, so they cannot bond too closely to one place; however, travel in a post-apocalyptic world gets dicey, so our father-daughter team must head into a seedy outpost to plead with an aging, antagonistic pilot for transport to the next threat.
Shanghai Red has always been a revenge story from the start. Red, after having killed her captors, takes the ship she was forced to work on, and in meeting up with her sister, hunts down the people that took away an entire year from her. Her alternate persona, Jack, protects her and does the killing of all of the men responsible.
As we gear up for the last arc of The Wicked + The Divine, we get one more of these interesting and illuminating one-shots featuring the gods we've come to know and love during one of their previous runs in the world. This time, we go to 1373 during the time of the Black Plague. While we don't see too many of the gods we've met before, but we do get a look at a long-gone member of the Pantheon, our beloved Lucifer.