God save ‘er.
Jamie Me has begun a story that feels apropos of today’s political climate: a woman is offered the chance to cut through the nonsense of bureaucracy to do some good on behalf of those whose voices (we assume) have been muted by the system. With the recent election nightmares here in the States, it’s a scary glimpse into the anger that pundits believe is underlying the electorate at the moment, and the moral quandaries that accompany it.
One of the most interesting series out there has added another issue to their story with the release of Cryptocracy #3. The story of the nine families that secretly rule the world has been a unique experience to read thus far, especially given that it’s taken on a completely different plot than I expected.
Dark Horse Comics makes damn good comics based on the Aliens franchise, and they’ve been doing it for some time now (all they way since 1988). Their newest miniseries, Aliens: Life and Death, by writer Dan Abnett and artist Moritat does nothing to change this trend of excellence and brings all the required elements to the table in order to attract fans: bullets, beasties, badasses, and blood... a whole lot of blood...
This week marks the release of Buffy the Vampire Slayer: Season 10 #30 from Dark Horse Comics, as well as the culmination of the tenth season of Buffy and its third season taking place in the comic book medium. The Buffy franchise has clearly thrived in the world of sequential art and word balloons, and the skilled and talented creative team of writer Christos Gage and artist Rebekah Isaacs have fostered that success, bringing the current season to a close with finesse and many “feels.” Now, in the afterglow of latest Buffy season finale, it is time for us fans to reflect on the merits and missteps of Buffy: Season 10 and look forward to where our favorite Slayer is headed.
What do process servers who serve superheroes and villains do in their downtime? In the comic series Serving Supes, apparently, find themselves in more trouble—and love it.
To describe the plot of Cry Havoc makes it sound like the kind of story you’ve heard a hundred times before. Lou is an ordinary English woman who’s bitten by a werewolf, causing her to gain extraordinary abilities and a terrifying dark side to her personality. She’s then recruited by the U.S. Army into an elite group of others with strange and extraordinary abilities who are tasked with Lynn Odell, formerly one of their ranks who has now gone rogue—and who is also a werewolf. The plot, laid out in that way, seems fairly standard, the sort of thing you’ve read in a dozen other comics just like this. Only the story of Cry Havoc is anything but standard, and you definitely haven’t read anything like this.