I pick up a Young Adult novel, I want to find some very specific things. A spunky, take-no-prisoners heroine. A troublesome love interest. Someone (or something) evil to fight against. Throw in some element of the supernatural, apocalyptic, dystopian, fantastic, the other-worldly, and I'm a happy reader.
In Storm Siren, author Mary Weber brings us a fantasy realm filled with faeries, magic, and monsters, and layers in a gritty social environment filled with slavery, poverty, and political intrigue. Weber echoes themes from The Hunger Games and The X-Men in a unique, imaginative world for the reader to explore.
When I'm asked what supernatural power I would choose for myself, the ability to clone myself has always seemed very tempting. Let my clones do all those things I don't enjoy . . . working out, public speaking, washing the car, etc. Whatever my intent, speculation about the benefits of this power always diverts very quickly into some very questionable moral ground.
Imitation by Heather Hildebrand, takes this selfish impulse and explores the implications of using clones in the larger society. When created by a super-secretive corporation, at the whims of megalomaniacal sociopaths, there are going to be serious moral issues.
How would you like the world to end?
The End is Nigh, the first installment of The Apocalypse Triptych, a collection of short story anthologies from editors John Joseph Adams (Wastelands, The Living Dead) and Hugh Howey (Wool, I, Zombie), gives us a deep menu from which to choose. Alien invasion, artificial intelligence takeover, collision with celestial body, mass suicide (as recommended by THE VOICE OF GOD), drought, killer nano-bots, EMP, all manner of plague (including the zombie variety) . . . and in at least one case, apocalypse by unknown event.
It took a little while to get hooked into this story. Terms of Enlistment promises to be an action-packed thriller but starts off more like a military memoir. Sure, that assumes a fair amount of exciting stuff can happen, but I was beginning to despair that it would all be portrayed from a safe distance, instead of sticking me right into the thick of things.
I needn’t have worried.
I began my review of Terms of Enlistment, the first installment in the Frontlines series by Marko Kloos, by stating it took me a little while to get hooked into the story. The sequel, Lines of Departure, suffers from no such acceleration delay. We jump immediately ahead five years into Andrew Grayson’s military career, and then we are [literally] shot into almost incessant action for the remainder of the story.
There is a particular quote from Annihilation that sums up my entire experience with it:
“When you see beauty and desolation, it changes something inside you. Desolation tries to colonize you.”
I teetered between loving and seriously not liking this story. It wasn’t until the very last scenes that I came to some degree of reconciliation with my reaction to it. To Jeff VanderMeer’s credit, I think that this is the exact experience he intends for the reader to have, as he skillfully manipulates the reader into the same difficult emotional journey that his main character is taking.
I recently picked up Relish on recommendation from NPR’s Pop Culture Happy Hour podcast (the “Fall Books and Great Detectives” episode, which aired September 26th**). Wanting to start a new graphic novel and always a sucker for a good foodie experience, I jumped over to the my public library e-book site and was delighted to see it was available for immediate consumption.
I introduced myself to John Scalzi’s writing earlier this year with Redshirts, a book that springs from the very important question of just why so many unfortunate space explorers wearing red uniforms die in the Star Trek universe. I was immediately impressed with Scalzi’s witty choice of story concept, his handling of larger themes, and use of unconventional plot devices. I enjoyed meeting his characters and engaging in their quick, intelligent dialogue. The world he built felt fresh, young, and bright. So, I was very eager to pick up Lock In, hoping to find more of the same, and I wasn’t disappointed.
If you can survive the opening scene of The Last Son of Ahriman, you’ll be doing good. I don’t mean that in a it-takes-a-while-to-get-into-the-story kind of way. I mean it in a do-your-best-not-to-get-eaten-by-a-horrible-monster-or-sucked-into-a-terrifying-portal-to-a-hell-dimension kind of way.