Sean McDonough’s novel, The Terror at Turtleshell Mountain, is billed as horror, but, to me, it feels more like dark comedy. Maybe I’m just a sick, jaded reader, but the idea of an otherworldly massacre at a theme park billed as the “Most Joyous Place on Earth” gives me a case of the giggles (Okay, maybe it’s the not-so-veiled comparison to Disney that tickles my distorted funny bone.); however, I certainly understand that not everyone will enjoy the warped portrayal of rides, beloved animated characters, and days out enjoying the magic of a theme park.
If the stars didn't die, we wouldn’t live.
C. A. Higgins has found a philosophical quandary in a physical property of the universe and spends her novel preparing the reader for the twist that defines the novel's message. Though this leaves some questions unanswered for perhaps a little longer than I enjoyed, the murky feelings you're left with at the end make for an excellent discussion piece about technology, the people who use it, and our place in the larger universe.
I’ve seen a lot of Kickstarter campaigns. I’ve contributed to a fair few of them, and even helped to promote one or two. I’ve seen some that succeeded beyond their wildest dreams, and I’ve seen others that didn’t even come close to reaching their goal. Through it all, my goal has been to crowdfund a project of my own; however, if I’ve learned one thing through all the campaigns I’ve observed, it’s that it’s much easier to fail at Kickstarter than to succeed, especially if you go in without knowing what you’re doing.
Daniel just woke up in a hospital room with a raging headache and has no idea how he got there. Oh, and, small detail . . . the Universe is broken.
So begins Meme, the first novel by Jack Cusick. Daniel immediately takes up with the titular character, Meme, a fairly mysterious representative of the “World Police,” who claims to be trying to fix this rather large problem. It is apparent that Daniel’s circumstances are inextricably connected to this investigation, and the two team up out of necessity (and attraction?) to get to the bottom of things.
In the nation of Plexus, you need three things to survive and make something of yourself: be born male; be able to acquire a wife by the age of sixteen; and be a Citysin under the nation’s Codex. Families are forbidden to raise their daughters at home; they must give them to numerous state-run orphanages that double as wife brokers for those who can afford to purchase a girl. Girls who are not purchased as a wife by their fifteenth birthday are tossed into the streets alone without certification, Citysinship, or any way to make a living. Young Sevara grew up in Orphanage 127, and she is nearing her fifteenth birthday; however, this fiery, passionate young woman has a special gift to inspire others, and she may be a catalyst to change the face of a nation.
Who you gonna call?
In Madeleine Holly-Rosing's alternate American timeline, America is lead by Great Houses, who rule over the many classes of the lower commoners, highlighting and exaggerating the divisions of class and race that exist and persist in our world. In this world, the realm of spirits is very close to the world of the living, and when something comes through or is left behind, it can cause havoc among those that would believe that nothing can happen that lies outside of their philosophies. Striving to protect the balance is a former Pinkerton and a loose coalition of folks comprising various unusual skills. This is the world that Holly-Rosing offers us glimpses into with her comic, Boston Metaphysical Society, and her new collection of novellas and short stories, Prelude.
Christie Shinn’s Personal Monsters: A Compendium of Monstrosities of Personality is set up like a children’s book, but it’s clear from the start that it’s geared towards adults. First of all, there’s a bit of adult language. More importantly, though, the situations depicted in it are of the type that you’re more likely to encounter and relate to in your adult life.
The review I should write about The Girl with All the Gifts is, “Super, super good. Go and read it right now. Don’t read any reviews, don’t look for a plot synopsis, and avoid any and all spoilers. If you don’t know anything about this story, all the better . . . Why are you still here? Get to reading already.”
But, that would do nothing at all to satisfy my strong need to talk about this book at length. I’d love to preserve the slow reveal in the opening chapters for everyone. The “twist” in these opening scenes isn’t particularly hard to guess, but the descriptive power in this early section is masterfully done and deserves as unsuspecting an audience as possible.
All that being said, if you proceed with this review from this point forward, I’ll going to be blowing the top off Pandora’s box and flinging out many of the secrets. You are warned.
“A young woman awakes trapped in an enclosed space. She has no idea who she is or how she got there. With only her instincts to guide her, she escapes her own confinement—and finds she’s not alone.” –Excerpt from the Goodreads Synopsis
Beyond this short descriptive blurb, almost anything that can be said about the plot of Alive by Scott Sigler is going to be some degree of spoiler. This is a story about waking up in a puzzle with only your most basic instincts to guide you from clue to clue. The main character, Em, is presented to us as a completely blank slate on which the author could write any story. This feeling of wide-open possibility pervades Alive to its very final moments.
So much of the end-of-the-world literature I read focuses on circumstances that, if not entirely fictional to begin with (say zombies or vampires or alien invasion), are at least comfortably removed from the reality we know today. Not so much with The Water Knife, in which we find ourselves knee-deep in a Climate Change Apocalypse that is made extra creepy by the increasing numbers of drought-related headlines we are currently seeing. You know the ones . . . ”California Unveils Sharp Cuts in Water for Agriculture,” “California Drought Resurrects Population Growth Concerns,” “More Historic Water Cuts for Farmers,” . . . and so on.