As a small digression from my standard format here, I made these Thor-sized cereal bars in an effort to bribe Thor into becoming an icon for cultural awareness. I just want to see a children’s book or Archie-style comic entitled “Thor Learns about Cereal” or “Thor Learns Proper, Earth-Bound Coffee Refill Protocol” – something harkening to the beauty in our differences and hilarity in absurdly ripped men from a heavenly realm discovering the miracle of mortal breakfast foods.
“It’s easy to be a saint in paradise, but the Maquis do not live in paradise.”
-- Commander Benjamin Sisko
The above quote comes during a rant to Kira about Picard-nemesis Admiral Nechayev. She asks Sisko to “establish a dialogue” and while Sisko is far too disciplined an officer to call her out, that doesn’t stop him from uncorking a monologue as soon as Nechayev’s gone. He points out that Earth is a paradise, and that’s a problem when it comes to the Federation’s thinking. They can’t wrap their brains around anything but the perfection they see around them, and it’s cost both empathy and ability to problem-solve in the real world. He’s talking about privilege here, a term that’s only just beginning to assert itself in the national dialogue. He might as well be saying that it’s easy for the Federation to trust the Cardassians, because Cardassians don’t choke Starfleet personnel to death on camera. DS9 once again shows how relevant it is over twenty years later.
“Education is power. Joy is vulnerability.”
-- Gul Dukat
Of all Sisko’s nemeses, none got under his skin quite like the Maquis. No one likes it when their entire worldview gets called into question. So, while Sisko might hate the Borg, Gul Dukat, and the Dominion, he could also couch that hatred in the comforting balm that these people were not Federation. They had embraced the wrong ethos, so any evil they committed fit comfortably into Sisko’s own driving philosophy. The Maquis, though . . . they had no excuse.
After much pontification, Michelle MacLaren has been tapped to direct the 2017-slated release of the Wonder Woman feature film. MacLaren has directing and producing credits that include The Walking Dead, Game of Thrones, and Breaking Bad. Not a bad rap sheet, if I do say so myself. DC made it loud and clear that they were on the hunt for a female director for the silver screen debut of the amazing Amazon.
“It is a good day to die.”
-- Lieutenant Jadzia Dax
Star Trek has always had a complicated relationship with its past. As forward thinking as the show is, it remains stubbornly mired in the time period in which it was made. The cheesy sets and optimism of TOS mark it as a child of the ‘60s, the wall-to-wall carpeting and a therapist on the bridge crew mark TNG as a product of the ‘80s, the jittery camera work and focus on mindless action mark the reboot as modern, and so on. Subsequent entries in the franchise always struggle to differentiate themselves from their predecessors, and sometimes these go far enough to suggest embarrassment. To reach a wider audience, the new entry has to look down, blush, and mutter, “Okay, I guess the Gorn look a little silly now . . . but there’s some other cool things . . . ” As much guff as DS9 gets for being un-Treklike, it is the only one of the modern shows that proudly wears its love for TOS on its sleeve.
After a wildly successful and groundbreaking 3-year run on Wonder Woman by writer Brian Azzarello and artist Cliff Chiang, DC has passed the creative reigns over to superstar artist and co-writer David Finch alongside his co-writer wife and relative newcomer Meredith Finch. I was lucky enough to chat with Meredith about her run on WW and what Diana means as a character in the following interview.
“That’s the thing about love. No one really understands it, do they?”
Fanfic is the great engine driving all fictional writing. Stop laughing, I’m serious. Well, sort of. For one thing, fanfic is older than you think it is. Did you think the Holy Grail was originally part of the pagan Celtic myth that became known as the King Arthur stories? Do you think Homer intended that Aeneas be the founder of Rome? Did you think Alan Moore actually invented any of the characters he has written about for the last several decades? And, just to be clear, I’m not exempting myself from this. Would Undead On Arrival exist without the noir classic Dead On Arrival? (Answer: no. No, it would not.) Much of writing is taking a story you love, then bending it to accommodate the characters or ideas you always thought it should have. I’ve said it before, but sometimes Spock has to be a werewolf.
I got 199 problems and the Savage Dragon ain't one of them. Savage Dragon, by Image Comics co-founder Erik Larsen, has reason to celebrate. In a current market that is plagued by low-run numbers, frequent creator changes, and endless relaunches and reboots, Savage Dragon is on the precipice of its 200th issue - all by the same creator.
“I’m nothing like I expected. Life after life, with each new personality stampeding around in your head, you get desires that scare you, dreams that used to belong to someone else.”
-- Lieutenant Jadzia Dax
Like any occupation, writers have their own jargon, a combination shorthand that allows them to communicate complex ideas with one another efficiently and a way to exclude the outsiders from the conversation. Different kinds of writers have their own dialects, as well, and though there is some overlap, it’s not complete. This is why you will hear novelists like me fretting about our count, while TV writers will put a certain joke on the roof. And, all of us, regardless of medium, lay pipe. (I assure you, that’s one of those things that only sounds obscene, like “quarter pounder at the Golden Arches,” or “performing oral sex on a woman.”) A piece of slang most often associated with TV writers is the A-, B-, and C-stories (or -plots), a shorthand that refers to the different stories that happen in the same episode. The A-plot is the main one, the B- the secondary, and so on down. It’s possible to have a show with only an A-story (“Necessary Evil” from earlier this season is a good example.), but you couldn’t have one with only a C-plot. This week’s episode, “Playing God,” arguably goes all the way down to a D-story, and it’s a royal mess. Not too shocking, then, that a Dax-centric episode has an identity crisis.
“Who is to say that our definition of life is the only valid one?”
-- Constable Odo
When genre fiction is about ideas, it’s about the big ones. The definition of life as applied to artificial organisms has been an important convention in both science fiction, horror, and fantasy since Mary Shelley wrote her masterpiece. I’ve toyed with the idea myself, somewhat glibly in Get Blank, and with far more depth (and gore) in The Dollmaker. Why? Because it’s fascinating. To me, there is nothing more tantalizing than the idea of a creature made by human hands that has both free will and the intelligence to use it. What would their thought processes be without millions of years of evolution shaping them? What kind of being would deeply flawed humans be capable of creating? What the hell do they want? It’s a well Star Trek would return to over and over, most notably with Data. DS9 dips its toes into it this week, in an uncharacteristically lighthearted, but still very good episode.