The Will Eisner Comic Industry Awards, often referred to simply as “the Eisners,” are generally accepted as the most prestigious recognition one can receive in the comic book field. Named in honor of comic book pioneer Will Eisner, the creator of The Spirit and the man who helped to popularize the term "graphic novel," the Eisner Awards span over two dozen categories, including everything from Best Artist and Best Writer to Best Comics-Related Periodical/Journalism. The awards are presented annually at the San Diego Comic-Con International convention during a ceremony that is open to not only comic book professionals, but all convention attendees.
Pussycats publisher E-Comix’s will soon be releasing their latest mini-series, The End of Everything; however, due to a printing snafu, readers will soon be treated to a chase variant of the comic with exclusive, hand-numbered artwork.
During the 1920s, art flourished through image experimentation and manipulation on canvases. Futurism, New Expressionism, Constructivism, and many other “ism” lenses were used to conceptualize the modern advancements that were taking place in the cities. Some of the Avant Garde directors of the time aimed their camera eye on their respective cities, documenting the impact of modernity on the city and its citizens. Dziga Vertov and Walter Ruttmann were two such visionaries who captured a day in the life of their respective cities into films known as city symphonies, The Man with a Movie Camera (1929) and Berlin: Symphony of a Great City (1927), respectively. Because these were silent films, the directors used images that were universal while examining the flux between tradition and progress.
With the full force of both Marvel and DC movie campaigns raging with their spectacular, firework-laced steam, comic book women have been more prominent on cinema screens in 2017 than ever before, showing that they are "wanted, needed, and can be successful."
If the Hollywood sci-fi movies of 2017 have one unifying special effect that will come to epitomize the collective output of the year, it won’t be disk-shaped space ships, plastic actors reincarnated from the uncanny valley, or unending dustscapes of an orange-tinted future; it would be the damp-squib of disappointment.
With Thanksgiving fast approaching, we often find ourselves becoming more introspective, reflecting on the people and things for which we are thankful. As we at Fanbase Press celebrate fandoms, this year, the Fanbase Press staff and contributors have chosen to honor their favorite fandoms, characters, or other elements of geekdom for which they are thankful, and how those areas of geekiness have shaped their lives and values.