You know that friend who only has a few anecdotes and constantly keeps retelling the same stories over and over again? Steven Moffat has become that friend to Doctor Who, and no matter how great those stories were the first time, I am tired of them.
It is no secret that I do not typically like episodes written by Mark Gatiss, so it came as a great surprise how much I enjoyed “Robot of Sherwood.” It felt like a throwback to classic Doctor Who and was just an all-around fun episode.
While “Into the Dalek” was by no means perfect, it was far better than the previous episode. In this episode, we got to see a bit more of what the Twelfth Doctor will be like, and we also got the addition of a new cast member.
Do not hold your breath for “Deep Breath.” Series 8 of Doctor Who has begun, and it is off to a mediocre start. Peter Capaldi deserved a better outing for his first full debut, and, more importantly, we, as the audience, did as well.
It can be difficult to replicate an actor's voice in a comic book, but writer Nick Abadzis has been doing a great job capturing David Tennant's frenetic and wordy cadence in Titan Comics' Doctor Who: The Tenth Doctor.
This issue takes place between Series 5 and 6 of Doctor Who; however, it works as a great point for new Whovians to jump in.
Set shortly after “The Stolen Earth” and “Journey's End” during the David Tennant specials, this issue sees the Tenth Doctor visiting present-day New York City. While this is near the end of the Tenth Doctor's tenure, it still works as a starting point for those who are new to Doctor Who.
The second episode of Fleming: The Man Who Would Be Bond had a much darker tone than the previous one, which does not come as too much of a surprise, since it takes place during World War II. Although, the war is not the only source of turmoil in Ian Fleming's life.
Dominic Cooper is quickly becoming one of my favorite actors, so I was pretty excited when I learned that he would be playing Ian Fleming (the creator of James Bond) for the BBC.