“The Ghost Monument” gave us our first look at Doctor Who’s new opening credits and theme song (which were both absent from last week’s episode). Keeping with the throwback to the classic Who aesthetic that Chris Chibnall has been cultivating, both feel very reminiscent of their counterparts in the early years of the show. There was a massive regime change behind the scenes this season, and I was most worried about previous composer Murray Gold’s departure from the show; however, his replacement Segun Akinola is off to a fantastic start. Gold’s music brought a full orchestral sound to the show, but Akinola’s theme shifts to the more alien and ethereal qualities present in the beginning of the show’s long run.
Before I begin my review, I feel the need to lay out some ground rules as the use of pronouns in Doctor Who have become much more complex. For the sake of simplicity, I plan on using the current Doctor’s gender when referring to the character in general, but when discussing a specific iteration of the Doctor, I will use that regeneration’s gender.
Several years ago, Dark Horse released The Legend of Zelda: Hyrule Historia. I assumed that The Legend of Zelda Encyclopedia would be more or less an updated version of the previous book. Thankfully, I was completely wrong, and the encyclopedia has a ton of new information.
Escape rooms are an interesting concept and translating the experience to a home version can be difficult, but Apocalypse by Argyx Games manages to pull it off with some interesting twists.
Film and TV are saturated with superheroes these days, so it is refreshing when something comes along that is a bit different. Batman Ninja is a welcome, new take on the Batman mythos that brings the Caped Crusader to feudal Japan.
If you are looking for a good gangster story, then The Legend of Pinky is your book. Written and illustrated by Craig Johnson II, the comic follows mobster “Pinky” Horwitz’s life of crime in New York City during the 1920s.
Regeneration episodes on Doctor Who have a tendency to be a bit too self-indulgent—especially when they are paired with a head writer’s final episode. (Yes, I am talking about “The End of Time.”) The reason is obvious: The story is supposed to reflect back on the current era of the show while tying up loose ends and looking forward to the next era.
Doctor Who: Series 10 has come to an end, and it turned out to be Steven Moffat’s best season as showrunner.
If next week’s episode is as good as “World Enough and Time,” then the two-part finale of Doctor Who: Series 10 could end up being Steven Moffat’s best writing in his tenure on the show. The penultimate episode of Series 10 was brilliantly terrifying and suspenseful.
“Come to Jesus” brings American Gods: Season One to a close, and there is a lot to unpack in this episode. Fans of the book are treated to some surprises, as the show pushes the narrative in some interesting new directions. Those that are new to the world of American Gods also got some answers this week.