The latest episode of American Gods, “Treasure of the Sun,” tells the history of Mad Sweeney through a series of flashbacks, and it only seems fitting to depict story of such an unconventional leprechaun backwards. Starting with a prophecy of his death, his journey traces back to the beginning of his descent.
The Second Golden Age of Television has brought us great serialized entertainment, but there will always be a special place for fantastic standalone episodes. This week's episode of American Gods, “Donar the Great,” demonstrates their importance. Adapting American Gods into a TV show allows for the source material's mythology to expand and develop concepts that are only touched on in the book. Thor's story is briefly mentioned in the book, but what was originally a few passing lines now takes on a whole new meaning. I expect nothing less from an episode directed by Rachel Talalay.
As season 2 of American Gods continues, the show has diverged more and more from the book. The creators have introduced more characters and made a point to focus on some of the darker atrocities in American culture. I am not quite sure where they are going with the story this season. That is not necessarily a bad thing, but I do hope that we'll start to see how some of these tangential threads will be woven together.
The great thing about adapting American Gods into a show is that the medium allows the showrunners to spend time and further develop the story. Episode 4, “The Greatest Story Ever Told,” had the freedom to explore the previously untold story of the Technical Boy's origin.
In the latest episode of American Gods, New Media has emerged from her digital chrysalis. She shed her pop culture icon identity and now speaks in emojis. Media and how we consume it has changed in the time since the book of American Gods was released, so it makes sense that the character would evolve to reflect the times.
I am a bit behind on my American Gods reviews, so I am going to combine my reviews of the first (“House on the Rock”) and second (“The Beguiling Man”) episodes of Season 2, as well as celebrate that the show has already been renewed for a third season!
The loss of Stan Lee last year hit the nerd community hard, but Captain Marvel is our reminder that his light will live on in those he inspired. The latest entry in Marvel's Cinematic Universe (MCU) reminds us that there is still a lot to explore.
Reign of the Supermen is my favorite Superman story. The comic book crossover event was used to revitalize the character (both literally and figuratively). Decades later, some of those once-new elements have aged better than others. The really fun part of the animated adaptation is that it again updates things to make it contemporary. At the same time, it knows when to embrace the '90s cheese.
Like a lot of episodes this past season, I enjoyed the subplot of “Resolution” better than the main story. I am much more invested in the companions’ arc than the adventure aspects. Showrunner Chris Chibnall’s decision to shift the focus of the show back on the companions was the right move (especially since the previous era focused so much on mystery and suspense); however, I needed more from the Thirteenth Doctor’s first confrontation with the Daleks—or any classic monster for that matter.
I would like to begin my review of “The Battle of Ranskoor Av Kolos” by pointing out how I correctly predicted that the Stenza would be the big bad for Series 11 in my review of the second episode. (Ed. Note: Our staff at Fanbase Press are the most humble of folks.)