Mid-30s geek type with a houseful of pets, books, DVDs, CDs, and manga
College-age Ruby wasn’t looking to become a superhero the night she made out with her friend at a bar to lure a pair of young men to play a game of high-stakes strip poker; she just really wanted to try the “super glasses” one of the gentleman possessed; however, when she somehow wins the entire game and makes a fool of herself with her super strength, possibly losing most of her friends, Ruby’s best friend, Summer, encourages her to make the best of the new scenario and try to help others out. When she rescues Neon Girl from a lightning wielding supe and gets her to the hospital, Ruby receives the personal motivation she needs to claim her new identity: find the lightning lady and take her down, if it’s the last thing she does. She just has to find her before anyone else!
Private investigator Nick Moss doesn’t know what a missing tween, a stolen toad familiar, a kidnapped lovely lady with a gill man admirer, and a fifty-foot giantess with a potential vampire admirer have in common, but he knows he has a serious problem. As the hairiest (and only) human PI left in Los Angeles after the Night War, Moss’ access to…certain sectors…of society is a little limited unless he embraces his inner figurative wolfman and pals around with the lycanthropic cops; however, as his cases become more entwined, the intrepid detective explores the parts of the City of Devils after dark that he never wanted to go. Will he find answers to his missing individuals’ cases, and, if he does, will Moss or his clients want the full details?
I was lucky enough to get the opportunity to read Inspector Oh #1 right on the heels of finishing Issue #0, and I’ll warn newcomers that Issue #0 really helps lay the groundwork for the relationship between Oh and Ziyi, if you want background to justify the young woman’s actions; however, if you’re okay piecing together backstory from context, hop right in and enjoy this crazy ride to the Ancient Chinese underworld!
The only problem with #0 issues of comics is that if it’s a really good introduction, readers are left desperately wanting more. The Yuan Twins' latest work, Inspector Oh #0, definitely falls into that category. It follows the adventures of the titular Inspector Oh (an exorcist) and his scrappy, capable, and quite probably more practical “niece” (If I read this issue correctly, Oh and Ziyi are not actually blood relations; Oh is a close friend of Ziyi’s parents, so he’s like family.) as they travel around China battling various supernatural threats.
Every youngster wants the chance to be chosen for an incredible quest to save the world, but what if you sort of stumble into it thanks to a wacky family friend, a mysterious house, and a vacation in one of the US’s most haunted cities? Lucas and Parker Chance’s family vacation to see their ‘Aunt’ Ruby in New Orleans introduces them to Nicole “Cole” Wells and a quest to help preserve the balance between good and evil. There are clues to find, puzzles to decode, nefarious villains to evade, and, of course, more than a few beignets to enjoy in this fun YA romp that doubles as a love letter to a sultry city of the Deep South!
After the barn fire Jesse Sullivan deliberately set to kill her abusive step-father Eddie, it was revealed that she was infected with the NRD virus and the angry young woman had two choices: become a licensed death replacement agent or go to prison for murder. It wasn’t much of a choice; however, when agents start showing up permanently dead and Jesse is attacked on an assignment, things get, well, complicated. When work was the only thing she could count on to run like it should, Jesse isn’t thrilled by the twist, especially when certain…visions make her fear she’s losing her marbles like her mentor, Rachel. Staying alive and finding some answers is just the tip of the iceberg, and this is one necronite who isn’t going down without putting up a serious fight.
After losing his students and mentor to the Devil Marauders in The Hawk of New York #3, Eric descends into a darkness that can only be appeased by vengeance on those responsible for his pain. Doc, the homeless man who saved him from death, tries to show him the error of his choices by appealing to Eric’s Native American side, but the point has been reached where nothing can pull the young man back from violence and destruction. He’s not the only one closing in on the Devil Marauders though, so he may have to move fast to get the revenge he craves.
Genshi is a tormented man. Nightmares of the night his family was brutally murdered haunt him, and he has started seeing visions of a supernatural force promising death and power; however, the young warrior only longs for two things: becoming a full-fledged Iga clan shinobi and openly claiming the love of his master’s daughter, Lady Akemi. Genshi is marked by something that will challenge his sense of honor and ability to do his duty to those he loves most.
The creative team behind Escape from Jesus Island is back with the fourth installment in the action-horror-sacrilegious series about an unscrupulous corporation that claims to have successfully cloned Jesus Christ and a skeevy pope who wants the son of God for himself to perform a personal miracle. The epic battle between Barracuda and Goliath at the end of book three left the Vatican Black Ops team at a serious disadvantage, since they fled to the tunnels on Malsum Island, the territory of Damien’s cadre of failed genetic experiments and so-called freaks. Can Mary, Joe, Boomer, and Jet make it out of the tunnels and back to their boat? Why are Damien’s healing abilities growing so rapidly? Why does Anna care so much about the Jesus clones’ healing abilities anyway? All these answers and more lie within Issue #4!
We live in a world inundated with books and movies focusing on dystopias: The Hunger Games, Divergent, The Fifth Wave, The Maze Runner, etc. It’s easy to believe that the economic crises and international political upheavals starting in the late 1990s created a market for stories about corrupt governments and damaged societies, but the genre has much deeper roots. Logan’s Run, based on the 1967 novel of the same name, debuted in theaters on June 23, 1976, and given there’s hardly a dystopian novel or film without my name written all over it, I’m shocked I hadn’t seen it until now.