Christopher Sebela has modernized the “on the lam” genre with Crowded, the latest book by Image Comics. In a world where technology has completely blanketed the socio-economic landscape, a young girl is being pursued by a willing mob of heavily armed regular folk who are all crowdfunded to kill her. The book is hot, heavy, and full of bloodshed. The characters are brutal and sassy. Crowded makes no apologies for its devout roughness and is better for it.
After reading VS, I can make a really strong case that it is an allegory for the pitfalls of social media; however, you might read VS and pull a completely different meaning from it. This is what takes the first volume arc of VS from fun-for-some to fun-for-everyone.
Junior Braves of the Apocalypse is every doomsday prepper's fantasy come to glorious, undead life. Volume 1 collects the first six zombie-filled issues of the series. The book is fast paced. The action comes out of the box with the suspense nob turned all the way up. It is around 220 pages of horrifying fun that ends with a swift kick to your cold, black heart.
Outpost Zero #2 immediately picks up where the events of the double-sized introductory issue left off. In our first issue, we get a fantastic sense of the environment our characters get to play in. There is a wonderful magnitude to the dystopia of this particular future tale, and the characters are written in a carefully balanced way. Now that the stage has been set for our story, issue #2 begins to unravel the mysterious death of a main character while illustrating what Outpost Zero will ultimately be about.
The action pieces in Sword Daughter are so profoundly good that you almost forget it is the subtle details of this story that make it such a masterpiece. Brian Wood continues to surprise me with his ability to craft an ornate tapestry of complicated emotion told in such a concise way. Not a moment is wasted, and every panel counts. This is a grand reminder that a simple story can be just as affecting, if not more, than a complicated one.
If you think a cross-country roadtrip with your relatives sounds like a nightmare, just be grateful your relatives are not the anthropomorphised animal mutants Bebop and Rocksteady. After reading up on their mayhemic hijinks, you will likely never complain about roadtripping ever again. TMNT: Bebop & Rocksteady Hit the Road takes two ancillary characters from the Turtleverse (I'm trying to make this a thing.) and milks them for all of their ballistic glory. The book abounds with bullet-filled fun with enough carnage to spare.
It’s time to buckle your sheath, boys and girls, because The Last Siege is hilt deep into solving one heck of a bloody mystery. Who is this wandering nomad from the east, and what could he possibly want? Is he in it for revenge? Is he in it for honor? Well, as we trudge forth into the first series arc, we are now that much closer to uncovering a truth that is getting juicier with every stab made into a fighting human torso.
The creators of Leviathan are absolutely right: Pop culture needs more kaiju presence. John Layman and Nick Pitarra have set forth on a mission to bring us a campy, little piece of delightful disaster porn. It’s a Godzilla story that has been inflicted with a case of the sillies. Everything from the plot to the art style will have you cringe-laughing. This is like Mars Attacks! for kaiju fans.
IDW is doing the proverbial “Lord’s work” by bringing us these previously unavailable Disney stories with a brand new translation from their original Italian. Each issue of Walt Disney Showcase collects two different stories from one Disney mascot with each story handled by a different creative team. In the first three issues, we palled around with Donald Duck, Mickey Mouse, and The Beagle Boys. Issue number four drops hard with two Goofy-filled stories that are weirder than anything you can imagine.