Janet J. Holden, Fanbase Press Guest Contributor

Janet J. Holden, Fanbase Press Guest Contributor

“Fundamental Comics,” a monthly editorial series that introduces readers to comics, graphic novels, and manga that have been impactful to the sequential art medium and the comic book industry on a foundational level.  Each month, a new essay will examine a familiar or lesser-known title through an in-depth analysis, exploring the history of the title, significant themes, and context for the title’s popularity since it was first released.

In 1982, Ridley Scott directed Blade Runner, his vision of a futuristic, dystopian, neo-noir science fiction film which was loosely adapted from the Philip K. Dick novel, Do Androids Dream of Electric Sheep? Neon store-front lights reflect in the rain slicked Los Angeles of 2019 as brightly lit dirigibles rumbled across the dark sky, flashing elaborate advertisements overhead. All manners of life – human and replicant – commingle, trying to find meaning and memorable moments that culminate into a comforting identity. Drawing on themes of religion, technology, implications of genetic engineering, and an examination of humanity, Blade Runner has captivated decades of audiences with not one but seven versions of the 1982 film.  In honor of the original (or the six other versions) and the highly anticipated Blade Runner 2049 releasing today, Fanbase Press is running a special editorial series to examine the original film and its lasting influence in popular culture.

In the UK, we had to wait for months.

Go to top