Robert Payne Cabeen has had a creative career penning subversive poetry and screenplays, such as Tainted Treats, the screenplay for Heavy Metal 2000, and Fearworms: Selected Poems from Fanbase Press. Cold Cuts marks Cabeen’s first foray into writing a novel, and much in alignment with his works, it’s both fiendish and funny.
Spotlight panels are often a great feature of a convention’s programming in that they offer special guests with the opportunities to highlight their work, but also to give audience members and fans a Q&A session. Over the weekend, Long Beach Comic Con had a handful of spotlight panels for celebrities and guests such as William Shatner, Dave Gibbons, and Howard Chaykin.
The first weekend of September is the last vestiges of summer, as children begin to transition back to school and the final BBQs are had on Labor Day. It’s also when the first signs of Halloween begin to pop up, as large sacks of candy and Halloween decorations begin to gain more real estate at grocery and department stores. It’s never too early to start mulling over the spookier things in life.
Beth Cato is a Locus and Nebula-nominated Steampunk author, known for her Clockwork Dagger duology of books [The Clockwork Dagger (2015) and The Clockwork Crown (2015)], her various short stories, poetry, and, of course, her baking endeavors of which she shares online. In 2016 Cato released Breath of Earth, the first book in a new Steampunk trilogy, Blood of Earth, that takes place in an alt-history 1906 San Francisco. On August 15, 2017, Cato’s second entry in this trilogy, Call of Fire, will be released by Harper Voyager. In the following interview, Fanbase Press Guest Contributor Nicholas Diak chats with Cato about her writing endeavors and her newest Steampunk series.
In 1981, San Diego Comic-Con held its fourteenth convention, bringing in 5,000 attendees. Over 35 years later, the event is about to celebrate its 50th show with attendance being over 170,000 fans celebrating all aspects of pop culture. If using SDCC is a barometer of fandom, it has certainly grown and evolved since 1981.
Cthulhu. Azathoth. Nyarlathotep. Zoth-Ommog. Yog-Sothoth. Gla’aki...? The various deities, gods, and great ones H.P. Lovecraft created in his day have taken on a life of their own, transcending from short stories and novellas to appearing in board games, comic books, and other media. Lovecraft’s Cthulhu is no doubt the most famous of them all, yet even other authors’ creations have found longevity, such as with Lin Carter’s Zoth-Ommog.
Cullen Bunn is at it again, this time with Brian Hurtt (illustrator) and Bill Crabtree (colorist). Together, they take us back to the days when mobsters owned high-stakes gambling clubs and wore tailored suits, the days of tommy guns and demon keys. Yes, that’s right - demon keys. You see, this universe is populated by demons who have taken rank in the mobster world. This isn’t Sicilian blood that runs through family veins, but demon blood.
In the summer of 1963, Disneyland debuted its newest attraction, the Enchanted Tiki Room. An ambitious show that pioneered animatronics, the Enchanted Tiki Room featured macaws, plants, and statues singing various songs, such as the endearing “The Tiki Tiki Tiki Room.” The attraction was in response to the active tiki culture that flourished in the post-war years; however, tiki culture would eventually decline due to south seas escapism being effectively destroyed by America’s intervention into Vietnam after the Gulf of Tonkin incident in 1964. While tiki culture would remain in hibernation during this period, the Enchanted Tiki Room saw great success, with the attraction later being duplicated in Walt Disney World and Tokyo Disneyland.
From the animated Sword in the Stone (1963) to John Boorman’s Excalibur (1981), from Antoine Fuqua’s King Arthur (2004) to Starz’s Camelot (2011), and not even including the various comics, books, video games, short stories, and other texts, Arthurian tales have enjoyed incredible longevity via adaptations and re-imaginings. It’s a genre that seems immune to accusations of unoriginality in Hollywood, which is cyclically plagued with remakes, sequels, and prequels. The mythology is so epic and timeless, yet so well known and open to playful reworkings, that each new iteration adds something to the legend, truly making it a dynamic mythology.
Though Alien and Aliens were released in 1979 and 1986, respectively, it was in the 1990s that Aliens, as a universe, solidified and proliferated itself across a variety of other narrative media and paratexts. While the '90s saw the release of the Alien 3 and Alien: Resurrection films, it is easily these other forms of storytelling that provided the greatest contributions to the Aliens franchise, both in tangible products to sell, as well as lore and stories to expand the universe (canonical or not). Dark Horse Comics contributed the majority to the narrative through their various Aliens and Aliens vs. Predator comics, an IP they still generate material for to this day. Bantam Books released a plethora of Aliens books in the '90s before DH Press took the reins in the 2000s.